#AND HIS TITLE WAS SOMETHING LIKE 'TOMMYS DEAD LETS CELEBRATE' AND I WAS LIKE
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boygirlctommy · 10 months ago
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3 YEARS SINCE CTOMMY DIED... GOOD LORD
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elsa-writes · 4 years ago
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Alfie Solomons x Reader: Beauty and the Beast
Part 1
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Authors note: this is my first time writing for Peaky Blinders, and my first time writing a fic in a while, so please feel free to bully me for my inaccuracies! also I might change the title later cuz idk what else to title this. Enjoy!
—-
Polly pretended to disapprove of you and Arthur’s shenanigans. Reality was, she knew with you around, Arthur couldn’t get into too much trouble. True, it was not the most respectable of hobbies for a lady, to be playing cards and hanging around bars every Friday night. However, Arthur couldn’t be getting any whores pregnant when he had to watch over his young cousin. And he’d make sure you’d stay out of trouble, too. Tommy had a similar line of thinking. Although with this latest scheme, you weren’t sure you had his full support.
“Are you sure this is the best idea?”
“I think,” Arthur paused for a beat, stroking his mustache. “It will go smoothly. You want to prove yourself, that you can function in this line of business, this is it.”
“And what did Tommy say about it?” You questioned. He’d sent Arthur in his place for a meeting with Mr Solomons. You were sitting in the car outside of the distill- bakery. Arthur insisted that you come along to this meeting. Camden Town was a bit nicer than Birmingham-though not by much.
“You know Tommy, he’s, well, you know,” he blustered. In the back seat, Billy coughed.
So Tommy was not aware of this arrangement. “Right.” But you were not going to NOT go in.
You’d bumped into Mr Solomons once. He’d been leaving after having a conversation with Tommy. You scampered away before he could say anything to you. Not out of fear of him; you ran away because you were afraid Tommy would know you’d been eavesdropping. Though Mr Solomons had made a reputation for himself, from what you’d overheard, he sounded like a bit of a clown.
“Are you coming or are you going to stay in the car like a baby?”
“I’m not a baby,” you protested and stepped out into the cold air. “Finn is a baby.”
“Yeah, and I didn’t invite him for a reason.” Arthur punctuated the sentence with a slam of the automobile door.
You adjusted your outfit, making sure you looked proper and professional. “Let’s get this over with.”
A man awaited you by the door and led you inside the distillery. It was dark, and damp. The odor of rum-er, bread, permeated the air. The smell made you light headed. Your shoes echoed on the cement, the loudest sound in the room.
As you descended into the labyrinth, a man appeared from behind a corner. Mr. Solomons himself.
His hat cast an ominous shadow over his face- definitely planned for theatrical effect.
He did not react to your presence. If he recognized you he gave no sign. “Welcome, welcome! You must be Arthur!”
“Mr. Solomons,” Arthur greeted, offering a hand.
“I’ve head so much about you,” Mr. Solomons said. The amusement in his voice was evident. He wasn’t taller than your cousin, but he was stockier and way more intimidating. Billy stood on the opposite side of you, wary of the large man.
Arthur replied, “Shalom.”
You cringed. Mr. Solomons gaze flickered to one of his men behind Arthur.
“Let me just say, Shalom,” Arthur repeated, painfully serious. You felt ill. If it were a less tense situation you would have smacked him over the head.
Solomons tilted his head just enough for you to get a glimpse of the look of incredulity on his face.
“Shalom!” He said. “So glad you could join us for this most joyous of celebrations! And I see you’ve brought friends for the occasion.” Solomons nodded in your direction. You’d been instructed by Arthur to not speak too much or get involved. The same went for Billy.
Arthur shifted on his feet. “This is my cousin, and my associate. Shall we discuss business?”
“Cousin, eh? From the sounds of it, there’s a new Shelby every fucking week.” Mr Solomons chuckled. “Come along, come along.”
He lead you into a room with a table in the center. Something was off. Perhaps it was the comment Arthur had made. It had surely offended them. The Solomons men hadn’t even looked at you. Not that you wanted to be looked at. It was unusual, though. They weren’t even looking at each other.
Something else in the room caught your attention; a goat tied to the leg of the table. It bleated sadly at you. You resisted the urge to pet it.
Mr Solomons circled the table and gestured. You took note of the pipe in his hand that also seemed to function as a cane. “Take a seat, why don’t you?”
Arthur hesitated, both you and Billy watching him before making a move.
He took the chair on the end. Some of the Solomons boys were standing behind the three of you in a perfect line. Another one took a chair next to Mr Solomons, still not looking at you.
Mr Solomons himself remained standing, studying Billy like he was the most fascinating thing on the planet. “And you’ll be...”
“Billy,” Billy said.
Mr. Solomons focused his attention on you. “Shelby?”
“(Y/n),” was your answer as you sat down at the table. There were plates and cups arranged before you. You kept your hands in your lap, careful not to touch anything.
“(Y/n)...You know, out there in the sand, out there in the desert where me forefathers come from... started out as a little speck...”
“Is everything alright?” Billy leaned over to whisper to Arthur. One of the men lurking around had shut the door behind you while Mr. Solomons rambled on. Arthur tried to dismiss Billy’s concerns with a wave.
“Billy, don’t worry mate, yeah, if you want you can leave. If you need to go to the little boys room or something you can leave.” Mr. Solomons interrupted, sounding a little too much like a school teacher.
“He’s alright, he’s alright,” Arthur grinned, rubbing Billy’s shoulder. “Billy boy.”
Your stomach churned. Something was wrong. This was not the kind of conversation that Tommy and Mr Solomons had had the day you eavesdropped. This was not the simple meeting you were promised.
“You want to stay?” Mr Solomons asked Billy; staring at him so intensely you had to look away.
“I’ll stay.”
“You stay there, then, treacle.” Mr Solomons grimaced, and his voice suddenly became much louder. “So! The pharaoh! Have you heard of him?”
Without thinking, you nodded, and he pointed in acknowledgement at you.
“He kept my people, the Jewish people, in slavery for thousands of years.”
“Persecuted, right,” Arthur interjected, pleased with himself for making this astute observation. Mr Solomons eyes lit up with amusement.
“He did, he persecuted my race. killing the innocent, right. So this feast that we’re having here , is basically the day what when the Jewish angels decided the evil fucking Egyptians had pushed their fucking luck!”
“Right,” Arthur added.
“It’s part of our tradition to do this, for in order to make it good with god to kill a king.”
Oh fuck. You glanced towards your cousin. By the look on his innocent smiling face he had not come to the conclusion you had. Okay, keep it cool. From the rumors you knew Mr Solomons was an intelligent man who spoke in idiotic riddles. You could have been misreading things. Sabini could be the pharaoh in the story.
“Right,” Arthur said again. What was Tommy doing at this moment?
“That is the ritual of the sacrifice of the pass over goat.” Mr Solomons said.
Everyone at the table turned to look at the bleating creature.
Arthur looked ill. “A goat?”
Mr Solomons gestured to it. “Yeah, we’re gonna sacrifice it. Tonight. That’s part of the reason why we have to shut the doors as well.”
You wished Arthur had let you keep a gun. You were a sitting duck. Every muscle in your body tensed, ready for the action. No, Tommy wasn’t the pharaoh.
“But this year we thought we’d give the fucking goat a name!” He grinned.
“You named it.”
“We fucking did.”
You averted your eyes as a man put a knife to the goats neck. “Arthur?”
“You named the fucking goat.” He shifted in his chair. It seemed as if he was catching on.
“Evil fucking Egyptian pharaoh-“
“The fucking-“
“And you know what we called it?”
“What’d you call it?”
Your hands balled into fists.
“Tommy Shelby,” Mr Solomons answered with a hint of triumph.
As the blood of the goat spilled on the ground you dropped to the floor. Chaos ensued; a gunshot fired so loud your ears rang. It took a few seconds for your hearing to return. Arthur was screaming. You looked up to see poor Billy slumped in his chair, covered in blood, not moving. You brought your knees to your chest and covered your head to avoid any potential stray bullets. Three of the men had to restrain Arthur, who thrashed and cursed.
Heavy footsteps approached. You scooted back further under the safety of the table. Trying to help him would be useless; you were outnumbered and they had guns.
Arthur went quiet, his freckled face pale.
The back of Mr. Solomons came into view.
“That’s that. So, and the evil Egyptian scum was finally cleansed by the blood of the Passover goat. Mate.”
You covered your moth with a hand.
He kissed Arthur’s cheek twice. “That’s for Sabini.”
Then he promptly bashed Arthur over the head. Funnily enough, it brought back memories of all the times you’d seen Arthur do the same thing to someone else. The urge to laugh overwhelmed you.
Mr Solomons dropped into a squat and placed the gun he’d shot Billy with into Arthur’s hand.
While he was in this position he noticed you under the table.
“Ah, hello there,” he grunted, eyes looking you up and down.
You wanted to swear, or grab the gun from Arthur’s limp hand, or do something very impressive.
He stared at you, waiting for a reply.
“Hi,” you sputtered out. “Is he dead?”
“Oh, nah, that would ruin the fun. You were not supposed to be here tonight.”
“I know.”
“Right. What the fuck am I going to do with you?”
“Let me go?” You suggested. It was worth a try.
He scratched his beard, lost in thought. “Cute, but I think not. That wouldn’t exactly wrap things up nicely, would it?”
A heavy pause lingered in the air. You pulled your knees in even closer, in an instinctual effort to protect yourself.
“Ok. Well! Lads, why don’t you take our guest upstairs?”
“Excuse me? No, no way.”
One of the men grabbed your arm, yanking you to your feet.
“Hey!” You struggled to get your arm free.
Mr Solomons stood up and turned away from you.
“You’re gonna kidnap me and you can’t even look me in the face! Fucking coward!” You shoved the man off but slipped in the blood on the floor, letting him get the advantage.
Another grabbed your other arm and despite your best efforts you couldn’t elbow him off. The near tumble had discombobulated you.
Mr Solomons glanced over his shoulder, as cool as a cucumber. “My good friends the London police are here if you’d prefer to go with them.”
The shock of what he’d said made you forget to fight. “Wait, what?” He didn’t have police on his payroll. Oh, Sabini did, how could you forget?
“Get the fuck off me!” You screamed.
The two men dragged you out the same moment as the doors flung open. A group of police stormed the room.
“Fucking animal came in here with a gun and he shot him in the face!” Mr. Solomons gestured with his cane, ignoring your pleas for help. “And my lads restrained him. Look at him! He’s dead! Is he dead! He’s fucking dead!” His false astonished voice followed you down the hall.
You fought back with all your effort.
“Stop fucking fighting, you’re lucky he didn’t shoot you too!” One of them said.
“Oh, how kind! How generous! Please be sure to thank him for me! Arthur! Arthur!” You didn’t know why you were screaming for him. They were carting him off to jail. Fuck. Would Tommy know? How long would it take for him to find out? “Bastards!”
Going upstairs was the worst part; you managed to slither out of their grip and ran up a few steps before tripping onto your face. They at least had the decency to not laugh.
The upstairs appeared to be some sort of flat. The two assholes threw you into the closest room, probably out of desperation to be free of you.
“What are you going to do with me?” You demanded, although you were scared of the answer.
They exchanged glances. They had let you free but blocked the door.
“Well, we’re not sure. He didn’t really give us instructions.” One said.
“I could give you some instructions. How about you go shove a-“ the threat was enough. Without rhyme or reason you charged at them like a bull.
Before you could spring your attack, they slipped out, locking the door behind themselves.
Slamming your fists on the door, you swore at them, every word imaginable.
Once you exhausted yourself you switched gears. Taking in the room; you noticed a bed shoved against a wall, a large, messy desk, and a small window. The style of the room was at least ten years out of date, and was covered in what looked like ten years of dust. This must be where Mr Solomons slept. For someone who had money he didn’t live like it.
You moved to the one window in the room. Here was a potential escape route. Except for the crowd of men huddled outside smoking. They wore aprons, like the others you saw. There was no way you could get past all of them.
But you could once they left. The only issue was making sure nothing happened to you in between then and now.
Who knew what upsetting plans he had for you? He fucking shot Billy. He could have shot you. Maybe the only reason he did it was because the police were nearby. He could be on his way up here at this very moment.
You needed to block the door. Anything to stall for time.
There was a coat rack in the corner that you used. The large cabinet full of decorative China plates looked easy to push; after a few tense moments of pushing you abandoned it and went for the desk. You investigated your work. The door could still be opened a few inches. Anything more than that would be blocked.
It should be enough. It didn’t feel like it. You were becoming aware of the heavy, dull ache in your muscles. Your ribs hurt from you dropped to the floor and bruises had begun to appear on your arms. You sat down on the creaky bed. If you were trapped in here, you might as well enjoy the “comforts” of this place.
A few hours passed. It had to be the next day already. Your thoughts were with Arthur, wondering if he’d woken up from the bashing yet. And Tommy, if he knew you were being held hostage. He was smart. He’d get you out of this. Unless he’d finally had enough of your antics and disowned you. No, no. Polly, John and Ada wouldn’t let that happen. You were spiraling and tired but too paranoid to sleep. Laying back on the bed, your eyes closed as you strained to listen for any sound. Why in the ever loving fuck had you let Arthur do this? When had he ever done anything smart?
Someone knocked at the door.
“Fuck off.” You said, a conditioned response from years of your cousins barging in on you.
Mr Solomons huffed. “Yes, yes. Listen. I’m not going to shoot you-well, I might if you get on my nerves- I have actually come to the conclusion that you may be quite useful to me.”
You sat up. “What?”
Mr Solomons opened the door, and to your relief, it got stuck on the desk. “Moving my fucking desk around?”
“I doubt I’m any use to you,” you said in your bravest voice. “Tommy will be looking for me. And he will want revenge for your betrayal with Sabini.”
He jiggled the door again. It didn’t budge. “Yeah, exactly. Revenge and all that. And I know he’s fond of you- you were at his house that day- so if I have you, right, as leverage, he’ll be less likely to put a fucking bullet in my head.”
“Did you really put Arthur in prison?”
“Yes, and I’ve just gotten word that Michael...Gray, is it, he’s been locked up too. So Tommy is probably a bit busy at the moment.”
Michael? That was probably a lie. A bluff. Polly would be in shambles.
“So are you going stay in there forever or are you going to come out?” Not taunting. Curious.
“I’ll stay in here.”
“You can come out, I’m not going to fucking hurt ya-“
“I saw you shoot Billy in the fucking head! And nearly kill Arthur!” You barked and flung the nearest object you could find, an empty bottle, at the door.
He cursed and shut the door before the bottle could slam into his head. “Didn’t you listen to a fucking word I said? Tommy Shelby would really come after me then.”
“Fuck the fuck off!” Another bottle flew through the air for good measure. This time the liquid contents splattered on the papers on the desk.
“Fucking hell,” he growled. “Stay in there as long as you want then, yeah?”
Your voice wavered. “He’s gonna come for me! And you’ll be sorry when he does!”
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harley-style · 4 years ago
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DREAM SMP Swap AU
Dream = Wilbur : Dream comes into the server to help these two kids who are trying to stir shit up -- why not, right? He's got a fondness for chaos but also very protective and caring over his friends. VERY FOND OF TUBBO. To the point of.. well, brotherhood. Wilbur = Dream : He had a vision, to create a place where people could emancipate -- he's not above being the bad guy to keep that ideal in place. He's charming and self-confident and isn't afraid to use blackmail or get all up in your business. Has dirt on everyone but Dream. Constantly threatens secrets but subtle, yanno? Again, very charming, very persuasive.
Tubbo = Tommy : Still very sweet, but Big Crime often comes out to play more often than not. Also a huge trouble magnet, tried to start a...Honey smuggling empire? For some fucking reason, despite its innocent sounding plan, is a threat to Wilbur's land but no one has any idea why. Tommy = Tubbo : Tommy has an innate fucking fixation on music discs. He's got Cat and Mellohi personally. He dreams of starting up a music cafe/music area...? He and Dream get along swimmingly, Dream actually gifts Tommy a few music discs too, but also pins Tommy with the name discount Dave Strider.
Fundy = Eret : Was convinced earlier on by Wilbur to continue his 'legacy' and ideals. Fundy further grows into a neutral party, doing things only when it benefits him. Is the traitor from the first war. Eret = Fundy : Gets far too involved with stuff and the only way out is if he wiggles through the restraints on him. Yes that's metaphorical.
JSchlatt = Technoblade : Assists through uses of contracts and business deals. Like, hello, Tubbo's Honey smuggling business? He and Dream make an agreement, he supplies Dream and Tubbo with shit, and Dream does favors for Schlatt. Technoblade = Jschlatt : Anarchy lmfao. Was actually brought on by Wilbur in secret. Acted as a benefactor for Dream before turning around and causing chaos in the land Dream Tubbo and Tommy built. Blood for the blood god, only the strongest gets to the top kind of government. There's always fucking pitfights. Oops.
Philza = Callahan : Largely uninvolved in the events, mostly just there to supervise Wilbur, Tommy and Techno. Duh. Callahan = Philza : Has personal history with Dream, tries to convince him not to do the thing that could hurt everyone else. Minimally succeeds.
Alyssa = Niki : Ready to defend her home and her family. Niki = Alyssa : Neutral, but ready to back Wilbur up if need be.
Sapnap = Bad : Arsonist, goes around and burns shit whenever he wants to. His base is a Nether inspired fortress. Also, he has to deal with a Nether problem in reference to the Red Vine problem from the original SMP. Hotlands? LMFAO Bad = Sapnap : Helps when asked. Started out on Wilbur's side, as a favor, but slowly shifts neutral due to the conflict between factions.
Karl = Skeppy : Gets held hostage? That's what preoccupies Sapnap's time. He suddenly disappeears or gets trapped in a cell. Skeppy = Karl : Runs around doing supply runs. Gets his friends into various stints to try and settle the conflict through friendly rivalry and competition. It doesn't always work.
George = Ranboo : Unlike original Ranboo, George is highly unsympathetic and needs concrete fucking facts before he acts, and that kind of backfires on him in the end. As a favor to Dream (how many favors is Dream involved in honestly) he runs messages back and forth from Tubbo to Tommy. Ranboo = George : Largely uninvolved in the conflict, like Niki, but unlike OG George, is not absent. He's just there to assist. One of the most innocent and purest people on the SMP, knows when to keep his head down. When his house burns down, he doesn't really believe its Tubbo who did it -- he knows the kid has been framed because he'd been WITH him at the time, but Wilbur pressures him to admit it.
Quackity = Punz : Wilbur's loyal paid henchman. Quackity will cause shit for the appropriate price, he's not exceptionally picky. That stunt he did as Mexican Dream was great and everyone in L'Manberg loved it. Punz = Quackity : One of the best fighters under Techno. Has more morals, but keeps them secretly. Very good at hiding his true intentions/feelings.
(sorry about the other characters not being on here, i dont know them enough to make swaps, or dont know who they'd make a good swap with. Swap who you wanna swap though! i'd like to hear your take on this matter! HEADCANONS ACCEPTED TOO AT THIS POINT EVERYTHING HERE IS FROM WHAT I REMEMBER AND MY HEADCANONS)
PLOT
-Wilbur starts the SMP with Niki, slowly invites others like Ranboo, Tommy, and Tubbo.
-Tubbo expresses a desire to Fuck Shit Up and Tommy says they can get Dream, he's an expert at getting away.
-Dream is extremely protective of them both. Tubbo more than Tommy but that's fine because Tommy is largely independent.
-Tubbo gets in the weirdest shit but Tommy can roll with the punches really quickly.
-Wilbur gets tired of their crap and burns down Tubbo's establishment. It's like the Disc Wars except it's the Great Honey War. Bee War? Basically he's tired of Tubbo hogging all the Honey related expenditures.
-Dream gets the idea to make a honey smuggling empire, as a joke, but Tubbo is Big Crime and he's going with it. Tommy just wants chaos, and he was getting bored tbh.
-Eventually the Honey thing turns into Resource management, so Tubbo Dream and Tommy have a hold on all major supplies
-Shit happens and Dream, Tubbo, Tommy, Eret, Sam, Fundy and Alyssa establish an independent nation. Dunno what to call it bc the server is called the L'manberg SMP so....
-The fight for indepencence still happens. Instead of 'Green boy' Wilbur is named 'E-boy'. Dream still says "WE HAVE NO MERCY FOR YOU" when Wil calls for a ceasefire negotiation, but Wilbur does threaten the nation saying  "If there is no white flag by tomorrow, then you can kiss your sorry little arses good bye. That's my final warning."
-Turns out Fundy's been secretly funneling information to Wilbur in exchange for the safety of his friends, and also because Wilbur's his dad....uhm. Also! He and Dream are circling each other and others are like "OH MY GOD YOU GUYS ARE DEAD RINGERS FOR QUEERPLATONIC MATES JUST MARRY ALREADY" bc I like FundyWasTaken but others might not and its okay, we'll label it as platonic, but can be read otherwise depending on your tastes. But for this, it's very close platonic.
-Wilbur goads Tommy into a fight, as brothers do, but Tubbo steps in and Wilbur fucking jumps at the chance.
-This is the start of Dream's descent into madness. No one fucking threatens or pulls one of his friends like that. Denied. It's still subtle though, so he's okay for now.
-Tubbo and Wilbur face off. When Tubbo pulls back bc he genuinely doesn't want to hurt anyone, Wilbur takes the chance and beats him.
-Tubbo, however, makes a deal. Let their nation stand on its own, and he'll give up the Resource Empire he started. Wilbur accepts, with the condition that they unify their alliance with a...marriage? So basically, political marriage between Wilbur's heir, Fundy, and Dream, the leader of the revolution.
-YEAH I WENT THERE THIS IS VALID
-They're strained at first, but Dream and Fundy slowly mend their relationship post-betrayal.
-Fast forward a few months later. The Nation doesn't really have a leader, as per the agreement, but it does have a representative. All decisions are made via majority votes, and that decision is voiced by the rep and sub-rep, Dream and Tubbo respectively. Tommy's just there to have a good time and causes chaos as per usual.
-Enter Technoblade. He's been called in by Wilbur to...ah. Dismantle a little...nation. Sounds right up his alley. But he asks Wilbur to wait and see what happens.
-Tommy and Dream get the idea to hold a tournament to celebrate their independence, an all out brawl for everyone to kick back and relieve stress. There. That's where Techno comes in.
-He gets Punz to join him after like, being paid (ofc) and they fucking dominate the tournament. Dream's about to congratulate them but Techno turns the fuck around and declares his right to rule the nation. If anyone wants to fight him for the title, they're welcome to try.
-Dream loses another life to Techno trying and failing to fight it. He and a few others lost their first life sometime elsewhere? I guess? Probably by being blown up by Wilbur, idk.
-Tubbo and Dream are chased out by people who reluctantly follow Techno's orders, and Tommy, torn between his friends and his brothers, stays behind. Oh jeezus.
-Since Techno is a fighting GOD, no one's able to usurp him to make things turn back to normal. But Dream is smart, and knows Wilbur's 100% behind this. Fundy kind of knew but didn't do shit about it, which is why Dream rejects Fundy's offer of sanctuary. He can't be sure his husband will stay on his side, after all. It's nothing personal.
-Dream and Tubbo hide away somewhere, probably not a ravine but?? A mountain or something? They manage to get Sam away enough to ask him to build a super cool Redstone contraption thing that opens for them. ooooo.
-I'm not good at names but for the sake of jokes I'm gonna call their land the 'Bee's Knees' bc at some point Tubbo finds a fuckton of Hives hanging from Trees. Bee Mountain if Dream's feeling especially salty.
-SPEAKING OF DREAM. his insanity is on course now, it's slowly eating away at him and in fear of hurting Tubbo he's slowly distancing himself away. Tubbo's like what's wrong but Dream can't answer -- he doesn't know what's wrong with himself either.
-Tubbo and Dream need to go back and confront Techno, but they can't wait for long else Techno's going to obliterate everyone and their extra lives. They call Schlatt in.
-Schlatt's a pure business man and draws up a contract. He'll aid them in terms of supplies, but most of the revolution is on them. They agree.
-Tommy is actually really fucking good at lying and skirting around what he reveals to Dream and tubbo as a spy that Techno would have believed him if he didnt' know his brother. and Wilbur's warnings, of course. That results in Techno just being fucking done with Tommy's bullshit and plans his execution in another tournament? I guess?
-It doesn't go like the festival. First of all, Schlatt can't fight for shit, so why would Techno call him up the stage? No, Schlatt fights dirty. techno doesn't set much rules so theres no rule against poisoning Tommy quick and easy before the fight. Tommy loses another life and is on his last. Tubbo is spitting mad, but Schlatt points out that nothing in the contract covered this, so he's free to do as necessary. Tubbo is stopped by Dream who, at this point, is just overtaken by the need to one-up Techno.
-Also, Wilbur's been slowly persuading Dream to just. Let go. Let the monster inside of him free, he 'deserves it'. By the end of it all, Dream does. He snaps and lets loose the monster crying for blood inside him.
-Callahan is left to convince his old friend not to do it. In a moment of clarity, Dream stares on in horror of what he'd done. In his rage he managed to deplete ALL of Techno's lives (not really but shhhh), cause massive bloodshed, and terrified everyone in the process. He asks Callahan to kill him. Callahan does.
-Yes we'll get to Ghost Dream eventually.
-Anyway, Schlatt still does the Wither plan, because, uh, Drunken Rage. He was so stressed out from the ensuing conflict that he's like "LETS JUST FINISH THE REST OF YOU. THERE WILL BE NO CONFLICT IF YOU ARENT THERE TO FIGHT."
-and then he uses the line from the Lego movie on Tubbo like "Oh, Tubbster. It's nothing personal. It's just Business(tm)".
-Schlatt still dies of stroke. He does come back as a ghost though, that's one main difference.
-After everything's said and done, and the dust has settled, everyone decides to disband the nation, and just live their lives. like, they're done, wilbur, they get your point, jfc, let them rest.
-but uhhhh someone frames tubbo for setting fire to ranboo's (the server sweetheart) house. wilbur immediately decides to exile tubbo in 'anger'. acutally, he wants tommy and tubbo separated.
-tommy's not standing for it though, he fucking fights his way until wilbur threatens him and tubbo's like YES FINE OKAY I'LL AGREE TO BEING EXILED STOP THREATENING YOUR BROTHER
-tubbo's exile arc is not as sad as tommy's, but rather very tense because wilbur keeps riling tubbo up and taunting him. he still keeps contact with tommy though because they arent going to be separated just like that. no way. tubbo just gets a little more mad and gets short tempered like a lot.
-ranboo's not even that mad about it, he knows tubbo would never burn his house, there was a conspiracy on board and even if there wasn't he's like "arent yall overreacting its just a house, didnt you all do this like before the first war even began, what even (also, ranboo was WITH tubbo at the time of his house allegedly being set on fire. Not that he'll admit to it, because he and tubbo made that agreement long before)
-eventually he finds out that wilbur just wanted to pin the blame on tubbo to make him leave, and ranboo's like "IM DONE WITH YOUR CRAP WILLBUR STOP HURTING THE PEOPLE I CARE ABOUT" and leaves
-with the nation gone, people started to solidify their groups. sapnap and karl deal with their own thing, quackity still runs errands for wilbur, george is the main person ferrying messages from tubbo to tommy back and forth, etc.
-there's a funeral for dream, ofc, fundy arranged it. all of dream's shit was hidden because fundy doesnt want wilbur to get it.
-niki's still there managing her bakeshop but doubles as an informant for wilbur because she's well liked within the server
-ghost dream is present and he's a chaotic troll who mostly hangs around tommy. he's really hyper active and is always on the move, you can never catch him sitting still for like, 5 minutes
THAT"S ALL I HAVE FOR MY SMP SWAP AU PLEASE BE GENTLE I DONT HAVE TIME TO GET ALL THE FACTS STRAIGHT FROM THE OG SMP qwq
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shepard-ram · 4 years ago
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Hello again this is Ender-anon with the next chapter of this story as we move on to Wilbur. p.s the poem will be at the bottom.
The most important day of your life so far.
Everything was chaos, as people rushed back and forth getting everything ready for you coronation the next day, dignitaries from other countrys ariving with gifts, the kichens had to order food from abroad inorder to fully cater the event. You however were nervous for a different reasion between going over the speechs with Enciodes and practicing the holy vows you would undertake tomorrow with the current Saintess Anya Silverash ( Enciodes and Ensia's sister), the Arctic Empires delegates had yet to arrive you knew thanks to Tommys latest letter ( and hadn't that been a surprise learning that you friend was the third prince, but you had assured him that it would change nothing between you he was still Tommy to you) his brother prince Wilbur second in line to the throne would be arriving with them since Tommy father had said that Tommy couldn't go. Which is why when the Arctic Empire arrived (with so many gifts Tommy really had gone overboard you though) without the prince saying that he had gone on ahead of the main group a wave of panic sweeped through those in attendance. The wilds were dangerous for outsiders at night the beasts of the land wouldn't attack your citizens ( ancient magic prevented them from doing so a spell cast by an allie of your venerated ancestor) but a lone prince was a different deal. Jumping into action you asked the nobility in attendance the Silverash,Rostova,Schwire and Nearl to search their grounds as they were the few nobles with manors outside to capital and on the way to get your winter coat discretely ordered a hidden member of the Armourless Union to imform the three Obsidians that finding the prince was their new hightest priority and to sent everyone Platinum, the two Lapis Lazuil and to track what woodlands hadn't been searched yet. Rushing out of the capital, lanturn in hand rushed into the nearby woods, woods that you had explored as far back as you could remember, woods you knew like the back of your hand as such when you heard the wolves howling in the distance you knew the quickest route to take after all those seconds could be the difference between finding the prince or finding a corpse.
Leaping over a ridge you found yourself between a terrified Wilbur and a pack of 5 wolves both pausing with your entrance. Wilbur snaped out it first yelling " Kid get out of here, I can distract the wolves RUN" you instead turn towards the wolves and told them to leave as they do you grab the stuperfied princes hand and lead him back towards the capital where you hand him off to his countrys dignitaries while you returned to the palace to get some sleep ready for your coronation tommorow. You looked at your reflection now dressed in your ceremonial outfit based on you ancestors outfit minus the black helmet of course looking over at your soon to be ex-regent Enciodes who looked at you with pride in his eyes, after gathering your nerves you follow him knights flanking you to the second biggest building in the capital after the palace, the temple to the Karlan Goddess. Kneeling before Anya at the goddesses alter you swore to protect your people, your nation and to uphold you nations values rising after Anya placed neatherite crown upon your head. Turning to look at those in attendance you saw Enciodes with tears in his eyes, Buldrokkas'tee with his daughter Yelena holding her up so she could see and curiously prince Wilbur looking at you with a weird look in his eyes that was a strange combination of pity and longing all while clutching a piece of paper close to his chest. During the after coronation celebrations you did manage to start a conversation with him by talking about Tommy of all thinks but he was what you two had in common you both cared about him a great deal before you left you handed him a letter to give to Tommy once he got back to the empire, he staired at it for a moment before handing over the piece of paper you saw him holding earlier you looked at it to see a poem on it "Its my gift to you, as thanks for saving me" he proclaimed after reading it you saw the themes of close bonds and friendship ( at least thats how it looked to you) and as such you thanked him for such a thoughtful poem giving him a hug " I must admit I can most certainly see why my baby brother is so attached to you" and with that he turned and left with the other delegates back to the Arctic Empire.
The most important encounter of his life
Wilbur was pretty sure even before meeting this ruler that he would hate them even though he hadn't met them yet. Why you may ask? First they charm his precious baby brother into letting them call him Tommy something that he only allowed family to do but he wouldn't stop carrying that doll dressed in black claiming that it was a gift from you, then whenever post would arive he would all but tear the poor messenger apart just on the chance you sent him a letter he remembered after he sent the letter informing you of his status he was sure that that would end this farce and he would have his adorable little brothers attention again but nooo you sent a letter telling him that it didn't matter Tommy was still your friend and that reguardless of his title he you wouldn't treat him any differently and to your credit you didn't. But thats nothing compared to what he's currently going through no since Tommy is to young he has to be the representative of the royal family to your coronation (despite Tommy throwing the biggest tantrum he had ever seen), so now he's walking along a poorly constructed road with a the other delegates with the mountain of gifts that his brother has bought you using every coin he had. Tired and just completely done with this day he told the others that he would be walking on ahead and they would meet back up at the palace, that was the plan at least he thinks to himself as he runs before he had strayed from the dirt path and stumbled upon a wolf pack that was now chasing him so his day has gotten even worse great. As he hits a dead end he turns to face the wolves looking around for a way to clime up the ridge above him as the wolves closed in, only for a kid in a winter coat holding a lanturn to jump down inbetween him and the wolves startling them both thankfully he snaped out of it first and yelled at you to run he wasn't about let a kid only a few years older than his baby brother get torn apart by these wolves but instead of fleeing you gave him a reassuring smile before turning to the wolves " He is no enemy of our nation, leave now" you commaned and to his surprise they obeyed his mind going blank trying to process what he just witnessed as you lead him out of the woods. It wasn't till he was in his room in the newly built embassy that he realised he never learned his saviors name after interrorgating the delegates he learns to his suprise that his savior was the person that took his place in his brothers heart.
Maybe he misjudged you he thinks as he spends the time before your cononation collecting information about you pretending that he was merely a curious tourist and when he returned to get dressed into his formal wear he thought about what he had learned, the most dishearting information was how alone you were you had no surviving family no cousins,no siblings and no parents but you still found reasions to smile, to try you best to be the ruler you nation would need despite the fact that said nation in his humble opinion was undeserving.How he had missjudge you so much, of course his brother would try and give you family that you never had he couldn't even think of a world without his little brother, his twin or his dad but you had to endure a world where that was the norm for you, and now he though bitterly this nation would be your burden to carry alone without family to turn to for help. He of course need to thank you and in his own way apologize for his incorrect image of you, he didn't bring his guitar so a poem would have to do, perhaps he could put an offer of family in it so you knew that you wouldn't be alone, yes that sounded good. As he stood with the others of importance during you coronation he couldn't help but think how small you looked in that all black outfit dispite knowing you were older that Tommy in this moment you didn't look it to him as you made vows that in the eyes of your nation, in the eyes of your goddess would forever bind you to a nation undeserving of you, a nation that had caused you to grow up alone surrounded by advisers and (if his brothers rants were anything to go by) a schemeing regent. He truly pitied you and wanted to take you away from this back to the empire where you could be a child for once not be forced to be a ruler, Tommy would be happy if he wisked you away and he realised as they placed a neatherite crown on your head he wouldn't mind having being your big brother. To his surprise you can over to talk to him during the after party, as the subject of conersation shifted to Tommy he saw your eyes light up as you trades stories back and forth acting less like royals from different countrys and more like siblings talking about their younger brother. Its only when you press a quickly written letter into his hands and asked for him to hand it to Tommy that he remembered his poem as such he handed the poem over to you and exsplaned that it was a thank you gift for rescuing him (and for him being so wrong about you) he searched your face as you read seeing if you got his hidden message before you thanked him for it and gave him a hug , hun he could in this moment certainly see why his baby brother was so attached to them oh if the look on your face was anything to go by he just said that aloud time to leave he thinks.On the plane ride home he can't help but read the letter you wrote for his baby brother only for his eyes to widen as you ask Tommy whats its like having a big brother like Wilbur or what its like having a big brother in general but a infuriated look fills his face as you say you think your starting to see Enciodas ( the scheming regent his brain supplied )and his sisters as your big siblings as your family,oh that seals it he thinks he is going to be big brother and save you from you misguided loyaltys at least he count on Tommy to help rescue their future sibling from themself.
Wilburs poem
It's hard to put into words, what I want to say.
But I want you to know your thought of, in a very special way.
Though the distance in between us, keeps us continents apart.
There will always be a place, for our bond within my heart.
Poems are strange arn't they, two people could read the same poem but come away with comletely different ideas as to what it means... Ender-anon
Okay I might stop talking all together on this entire FICS but this- yes absolutely very good
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perriwinklesblog · 4 years ago
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Hi. This is my ending having watched that stream. Have fun with it.
Dream has been defeated, he no longer had any power here. People were celebrating, they felt free for the first time in months. Technoblade had perished too so there was no need to fear more chaos. It was loud but it was also quiet.
Tubbo sat on the roof of someone’s house in L’Manburg. The sun was starting to set. More damage had been done in the fights against Dream and Technoblade. He hadn’t wanted to fight. He’d never wanted a fight.
Quackity stares up at Tubbo. He had one last traitor on his list. One last person who’d undermineded things. One last person he, at one point, thought of as a friend, as a new beginning. But that had been false. A false prophet of new beginnings, a false leader. He takes a step forward but someone stands in his way.
Tommy doesn’t look behind. He does not need to see their judgement. This isn’t between them. This is between Tommy and Tubbo.
He makes his way to Tubbo, neither acknowledge each other at first but then Tubbo turns his head slightly. “I only wanted peace, Tommy.”
“Tubbo.” And he can’t look at Tubbo. He can’t look at the person who betrayed him. He doesn’t want to be this person again. He doesn’t want to go through this again.
“I’m sorry. I’m so sorry Tommy. I never wanted this. I’m so sorry. I’m so sorry” Tubbo repeats it over and over again, tears streaming down his face. He looks up at Tommy.
“I know., Tubbo. I know.” He can’t stop his own tears as he embraces his friend, his brother. He’s lost so many, he just want to hold onto him for a little longer. “I forgive you Tubbo.”
And he stabs him. Holding him as he falls, clutching onto him. He immediately regrets it but something inTubbos eyes calms him.
“It’s ok. It’s peaceful Tommy. I just wanted the peace”
Even after Tubbo is gone, Tommy holds him. He doesn’t let go as others join him on the roof. There is no celebration for the death. There is no joy in this. A friend is gone. His brother is gone. Tommy is alone.
***
Hours after his death, in the dead of night, Tommy picks up some things. He leaves a book behind simply titled, The Heroic Adventures of Tubbo and Tommy. He silently walks around the remnants of a land he’d helped create, that he helped destroy. Tommy reaches the edge of the town, a ghostly figure hovers there.
“Where are you going Tommy?” Ghostbur posits, his head tilting to the side slightly. Most would think he’s oblivious but Tommy sees a flash behind the eyes. “He could come back like I did. We could all be together again!”
“I’m just going for a walk Wilbur.” Tommy’s voice cracks and he spins slightly as if trying to distract from it.
“When will you be back?” Ghostbur says this knowing the answer. He may have lost most of his memories but he still feels he knows Tommy. He knows what he’s doing.
“Soon.”
Wilbur watches as Tommy wanders off into the wilderness. He swears he sees a ghostly figure next to the boy but he’s not sure. He turns and continues to build quietly.
It’s peaceful.
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nettlestonenell · 4 years ago
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Armie Hammer wants a sequel to The Man From U.N.C.L.E.—shouldn’t you?
This post is a long time in coming, Gentle Readers and @jammeke​, but now, though it might be here, before your very eyes, to think it will be well-laid out would be a mistake. It’s set to be just about as messy as Ilya’s misplaced loyalties and murky motivations.
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How dare!
I probably first watched this film well over a year ago (courtesy @jammeke​ posting things about it). I used Sling OnDemand (I think on TNT). In the ensuing viewings I also watched it in that way, but as I was sitting down for a fourth(?) viewing, it kept coming to me that I was tired of watching it with commercials I couldn’t skip, and I had a sneaking suspicion that it had been edited for time and I was missing out on scenes. [pointless aside: I was also watching the film in chunks, and never as a whole]
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Where is she now? What’s the time stamp? How far along did she get? Are you shagging the hotel hostess yet?
So, I, uh, set out to buy it on DVD—without any luck! In the sense that copies I could find cost more (w/ shipping) than buying it to stream. So, I bought it to stream on Amazon. Do I regret my choice, Gentle Readers? No, no I don’t. I do regret burden of knowledge in learning that TNT was already playing the entirety of the film. That was a hard pill to swallow.
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Nope, I’ve looked. That’s absolutely everything. Nothing additional lurking around here...
So here it is, as it is, @jammeke, “My Notes on The Man from U.N.C.L.E.”
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Look, I don’t know what this film is. I probably can’t fully articulate its appeal. Or maybe I can--certainly after transcribing four page I’ve tried. Number One thing to know about me and fiction/films is that a top draw for me is seeing something out of the ordinary, such as beautiful locations, a historical era, delicious costumes. There are times, frankly, this can trump weak story and undefined character for me. (The best films, of course, combine all three) Certainly, The Man... delivers in the delight of the eyes. Additionally, I must confess that growing up as a person older than @reblogginhood​ but younger than Miss Fisher, so much of what was on TV was essentially reruns of this film’s iconic Look(tm). So, when I see women dressed like Gaby I am just another three-to-seven-year-old overcome with the drop dead glamour of it all.
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Darling, tell me how you really feel...
Some questions I have:
·         IS Armie Hammer a hulk of a man? Everyone in this film seems to think so, yet he always tracks to me as trim (rather than hulking)
·         Why translate via captions some Russian speaking, but not all?
·         IS Napoleon’s backstory directly cribbed from USA’s White Collar?
·         DOES Gaby have a German accent?
·         Does Ilya get preternaturally attached to all the people he’s ordered to look after? Also, what is his bonding rate with kittens?
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Sorry, wrong iteration. 
 ·         If Lady Villain knows the lens is wrong—if her technical understanding is that in-depth--does she really need Gaby’s dad to make the bomb?
·         How old was Gaby during the war?
·         What happens when Ilya gets a NEW puppy assigned to him? (please let this be addressed in film #2)
Hooray for:
·         That bathroom fight! *all the Burn Notice feels!
·         Gaby is her own lady, and chooses sides as necessary—not always unilateral in her support for either male character. Case in point: she sides with Ilya over the clothes, and Napoleon over the incident of the wallet.
·         That delicious (speaking as Rusty, here) Ocean’s 11-stylized action. It’s pretty, so I’m not bored with it. Sometimes a sandwiched montage gets shown, so I’m REALLY not bored. I’ve got 18 tiny moving boxes of things to look at!
·         Pinkie rings. There, you’ve told me everything I need to know about that character.
·         Solo in a beret. English has not yet found a word for the feeling it evoked in this viewer. Somewhere between ‘precious’ and ‘oh, no’.
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See, there? Now you’ve felt it too.
·         Goggles! All the accessories! Dune Buggies! (I mean, that’s what I’m calling Napoleon’s chase-scene ride)
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Things I adore:
·         It seems (after some research) that more than a few folks view Gaby as a third wheel, and though she’s not exactly a Princess Leia commandeering her own rescue and exuding competence and a deserved take-charge-attitude at every corner, she IS a foci for both male characters (though romantically it would seem only for one), just as Ilya is a foci for both her and Napoleon [no one seems to worry about Napoleon, though they should--film #2, anyone?]
·         Mechanic Gaby not needing a beauty makeover, or being dragged into one. She gets some nice clothes, but it’s never suggested that she’s not attractive or acceptable before putting them on, and I respect, nay, embrace it.
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Oh, my heart. She’s still not as tall as them!
·         Ilya, drab pigeon Ilya, knowing fashion
·         Oh man, don’t even get me started on the power of the statement, “it doesn’t have to match”
·         You knew it was coming on this sublist: the wrestle-fight. I mean, c’mon. Poor little Gaby, locked behind the Iron Curtain, living a life of always being watched. She’s in the swankest hotel (I mean, Napoleon chose it, so we can be sure it’s swank with an E). She’s trying to celebrate her freedom, her liberation. She’s playing verboten music, she’s drinking to excess. Girl wants—and deserves—a party. And Ilya is…not built for that (that he knows of). For some fun, just imagine if she had been given Napoleon to room with instead.
                            o   I will say that this scene, and some of their other interactions have what I would call early (non-sibling) Luke and Leia energy. Ilya seems to have moments of being struck by Gaby in a way Luke is struck by Leia in the early part of the trilogy. When Leia takes charge, and Luke accepts it. When Leia does something incredible, and Luke is left open-mouthed. *no, I don’t see OT Star Wars in everything. Shut up.
·         “He fixed the glitch.”
·         Again, shout-out to the non-action action.
·         “I left my jacket in there.”
·         The whole race to rescue Gaby I am in love with beyond words. [I have noted it as “Crazy Jeep Drive with Warhead!”] Probably b/c it comes across as totally egalitarian. Both men want her rescued. They’re no longer in competition. It’s just as important to Napoleon as it is to Ilya to catch up to her. Also, it is bonkers, like some sort of X-games version of a commercial for the vehicles they’re driving. And screaming Willie Scott does not make an appearance.
         Someone says “winkle” out.
·         Look! Another note about the screen divisions and how I love it, shout-outs to the original Steve McQueen The Thomas Crown Affair (a contemporary of when this movie is meant to be set), and TV’s 24.
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Things that get a great, big NOPE:
·         Jerrod Harris: you’ve been in so much streamable content in the last decade I can’t hate you, but frankly, you’re terrible here—unless you’re supposed to be giving a mannered, not-campy-enough-to-be-enjoyable performance here. Your American English puts me in the mind of Alex Hawaii 5-0′Loughlin where it feels you’re concentrating so hard on your accent that you fail to convince anyone that you’re a harried, over-worked and exasperated spy handler. Your performance is at odds with every bit of dialogue you’re given to say.
·         That awful, mishandled title that doesn’t even connect to the film until the final moments (a sequel set-up, for sure)
·         Look, you don’t introduce Hugh Grant casually mid-way through your film in a throwaway appearance. I mean, he’s HUGH GRANT we all know something’s up now.
·         This is not exactly a great big NOPE, b/c I love a flat cap, Tommy Shelby—but I feel like a less tall man with a far rounder face in a flat cap would track more as Russian to me that AH does. To me, he just looks like he’s about to go golfing.
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Over par? Unacceptable!
·         Is Victoria a British-accented Italian? A British woman who married—what? Gaby’s uncle isn’t Italian!? An Italian who went to school in Britain? My head hurts. Also, is her hair meant to be unconvincingly bleached?
Other commentary:
·         Napoleon’s adult ne’er-do-well backstory is so far from being emotionally equivalent to Ilya’s childhood trauma [and his enslavement to the USSR] it seems bestial when he calls it out on multiple occasions. Badly done, Solo.
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·         Gaby is the film’s key (sorry, Buffy fans). Everyone is connected to her. Yes, she could have been given a bit more on the character front, but I don’t see her as as much of a flaw in the film as some others/reviewers seem to.
·         Look, essentially (and not very nuanced-ly), Ilya is a stalker. I think the film goes a certain distance in establishing that his early behavior toward Gaby is not normal, but concurrently it does not truly call him out on it. He’s essentially viewed as an odd-duck, sure, but not a true threat to her (should she not reciprocate or tolerate his intensity toward her). I think I might be able to cite his behavior when Gaby comes on to him (that he doesn’t jump at a chance with her) that maybe he’s given a little more nuance than a straight-on stalker, and it helps that he and Napoleon never get into a pissing match over Gaby’s person, only over her new clothes. But overall the film has to walk a fine line (and the jury is still out on how successful it is, I’d say) between playing Ilya’s laser-like attention to Gaby for its humor, and calling it out for the unsettling, threatening behavior it is.
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·         Honestly, it wasn’t until I engaged the Closed Captioning that I understood Napoleon was calling Ilya the ‘Red Peril’. So, that was nearly three viewings in.
·         I give the screen credits A+, on both ends. Not to mention the end credits are actually INTERESTING with lots to see and learn! (Certainly we learn more about HG in them than we do at any time during the film)
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Things I would have liked:
·         More of fish-out-of-the-Iron-Curtain Gaby moments
·         A better dichotomy shown of East vs. West Berlin/Germany. There’s nothing easy either visually or otherwise to distinguish the two.
·         HC being given a more specific American accent (from an actual locality). This, for an American viewer, works better than the flat, unlocated American accent many a British actor will bust out. *Mind you, HC does a generally good job, but he fails utterly on both “Immediate” which he pronounces at least twice as “immeedeejt” [rather than imm-E-deeot] and “Nazi” as “NAHT-zee” [rather than “NOT-zee”]. And let’s not get started on that late in the film use of ‘earnt’, a word that—well, it’s just not in the American English twentieth century lexicon.
·         C’mon. You gotta tease the Hugh Grant more.
·         Solo is a blank before the war. I’ve read thoughts on the film calling out Gaby as the blank character, but they’re wrong. Solo is the blank. He’s the ‘made’ man, his identity seemingly assembled during the war and after. For example, he doesn’t go into the war a thief, nor (it would seem) a particularly educated or urbane individual. Now THAT’s a juicy backstory I’d love to learn about, perhaps in film #2--or #3? What creates a Napoleon Solo? What would he be doing if he weren’t on the government’s leash/incarcerated? Is anyone left caring about him back wherever he calls home? I mean, who doesn’t love a gender-flipped 60s-era Holly Golightly backstory? [And yes, I would love there to be an ex-wife or even a current wife mixed up in his origins as well—Guy Ritchie, call me!]
Notes I have that I’m not sure if they still make sense to me:
·         Only mom calls me Napoleon (do he say it ‘mum’?) Is he a secret Canadian?
·         Solo’s torture, 1st view recall Napoleon’s childhood? *I think this means that after watching the first time I somehow erroneously believed that during the torture Napoleon’s childhood was a topic gone over. This was wrong. HOWEVER, this would have made far more story-sense than the backstory we’re given on an easily disposeable villain.
·         “Even the average Russian agent. You’re special.” ?
·         Uncle is Baddie (*so glad I made this note to myself)
·         Ilya’s dad IS an embarrassment. I’m not sure what genius commentary I had in my mind, here. Perhaps that Ilya himself is embarrassed of him? Not just Ilya’s handler’s? [Also, aside: Napoleon totally slut-shames Ilya’s mom, which is the doublest of double standards from ‘I got myself the biggest and most ornate suite b/c I-wanted-plenty-of-space-for-my-random-seductions’ and I really wish Ilya had thrown that back in his face] *yes, of course I know that Ilya and Napoleon would not likely equate a wife/mother’s sexual exploits with that of Solo’s, but let’s be honest, this film tweaks the nose of (I won’t say reverses, it doesn’t go that far) plenty of tropes and gender expectations, and this certainly seems like a missed opportunity to call Solo on the carpet (which I hope film #2 does far more)
Things I wrote down so long ago I don’t recall what they mean:
·         CC-save
In conclusion:
What does film #2 look like? What title does it get? Will the Peter/Neil White Collar dynamic continue to grow? *note that I have no confidence a second film will ever come to pass...
In the end, all I know is, “It didn't help when American Tom Cruise, who was slated to play U.S. spy Napoleon Solo, dropped out, prompting the casting of Cavill (who had previously read for the Russian role).“ I would not have watched that film.
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randomrichards · 4 years ago
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BEST MOVIE MOMENTS OF 2020
HONORABLE MENTIONS:
Abe Makes Dinner from ABE
Teen chef protégé Abe (Stranger Thing’s Noah Schnapp) hopes that his dinner blending Israeli and Palestinian dishes will mend a bridge between his Israeli and Palestinian families (as well as his atheist father). But he gets a sad dose of reality when he learns the hard way that a wedge between families can’t always be solved with a meal.
“Wait for It” from HAMILTON
On June 16, 2016, Leslie Odom Jr. surprised many by beating Hamilton star/creator Lin-Manuel Miranda for the Best Actor award at the Tony Awards. And now they understood why thanks to Disney+ presenting the musical. And it all has to do with the song “Wait for It.”
In this soulful musical number, Odom Jr. allows us to understand Aaron Burr’s beliefs in letting fate leads his path. Whether it’s winning the heart of a married woman or watching all his loved ones parish, Burr is willing to wait for destiny to reveal why. It also showcases the contrast between Burr and Hamilton. This song changes Burr from History’s villain to a complicated anti-hero.
10)          Deku and Bakugo go full Super Sayan in MY HERO ACADEMIA: HEROES RISING
My Hero Academia always delivers great action scenes and they truly shine in their latest round in the cinema.
In his final battle to protect young brother and sister Mahoro (Tomoyo Kurosawa in Japanese, Dani Chambers in English) and Katsuma (Yuka Terasaki in Japanese, Maxey Whitehead in English) from ruthless power-stealer Nine (Yoshio Inoue in Japanese, Johnny Yong Bosch in English), underdog hero-in-training Izuku “Deku” Midoriya (Daiki Yamashita in Japanese, Justin Briner in English) transfers his “One-For-All” power to hotheaded classmate Bakugo (Nobuhiko Okamoto in Japanese, Clifford Chapin in English). The result is an image of the in super powered form resembling Super Sayans.
When Deku reaches 100% power, the film suddenly turns white then stretches into abstract imagery.
Honestly, the main reason I put this on the list is because it’s pure awesome and I’m not afraid to admit it.
9)            A Survivor Model from COLLECTIVE
This documentary follows the reporters of Romanian Newspaper Gazeta Sporturilor as their investigation into the Colective Club fire in Bucharest that killed 27 people and left 180 injured exposed vast health care fraud that caused survivors to die in the hospital and would bring down the government. Another key focus is a survivor who was so badly burned she lost most of her fingers. The camera focuses on her as she watches conferences about the fire.
In a standout moment, she models for photo shoots. In this moment, we see a beautiful woman who refuses to allow her disability to stop her, revealing her power.
8)            the Wuhan Flu Song from BORAT SUBSEQUENT MOVIEFILM
Many best scenes of 2020 will focus on the bed scene with Tutar and Rudy Gulianni. But I prefer to focus on the scene where Borat (Sacha Baron Cohen) performs the “Wuhan Flu Song” at a Anti-Masker Rally. Not only is it deliciously cringy and hilarious, but It perfectly captures all of Cohen’s strengths as a comedic performer.
As with Borat’s previous cringy yet catchy “Throw the Jew Down the Well, Cohen uses the Borat persona exposes the ugliest side of America. Watching the Qanon conspiracy theorists cheering on Borat (under the guise of Country Steve) singing about injecting Obama with the Coronavirus horrifies while splitting sides. This moment reveals the dangerous consequences of misinformation and conspiracy theorists on society. Plus, the song is shamelessly catchy as hell.
Add the fact that Cohen was nearly attacked during this scene shows how far he’s willing to go to make a point and get a laugh.
7)            The Dinner Scene from LET HIM GO
This scene is a perfect example of how you put subtext in a scene. On the surface, It’s just Weboy matriarch Blanche (Lesley Manville) serving porkchops to her daughter in law Lorna’s(Kayli Carter) former parent in laws Margaret (Diane Lane) and George Blackledge (Kevin Costner). But with the context of Margaret and George trying to deliver Lorna and their grandson from her abusive husband, you can feel the hostility in the atmosphere.
It’s a credit to the actors and their ability to hide their aggression under a mask of southern hospitality. It’s especially true for Manville, who brings to life a woman who is a master of hiding her cruelty under a pleasant smile. She may sound welcoming to them, but you can tell something’s off about her. No wonder she’s able to manipulate the police into siding with her. Hell, many audience will be surprised when they find out she’s British in real life.
Lane matches her every step of the way with the most nuanced jabs.
It won’t get as much appreciation due to it’s unassuming nature. But it’s a perfect scene to show how to bring nuance to a performance.
6)            The Restaurant Scene from THE INVISIBLE MAN
At first, it seemed Cecilia (Elizabeth Moss) finally has the drop on her sociopathic control freak ex Adrian (Oliver Jackson-Cohen). After days being tormented by him, Cecilia finally has proof of how he turns invisible. Now she goes to a public restaurant to convince her sister Emily (Harriet Dyer). But then a  levitating knife appears out of nowhere and slits Emily’s throat before flying into Cecilia’s hands.
Director Leigh Whannell and cinematographer Stefan Duscio do an excellent job using everyday envirnoments to create a sense of unease. Whenever the camera lingers on a kitchen, you search with anxious eyes for any sign of Adrian. In this case, they use the ambience of a crowded fancy restaurant to create a false sense of security. And yet, you can’t help but wonder if Adrian’s still watching them.
It’s in this scene where title character goes from a good villain to a great villain. Here we see what a cunning monster he truly is. The scene also showcases Moss’s terrific performance as her desperate eyes showcase the complete helplessness she feels in this scenario.
5)            Edna sheds her skin in RELIC
Rarely do the words “horror” and “heartbreaking” go together, but that describes the ending to this underrated gem.
Kay (Emily Mortimer) returns to her family home to care for her mother Edna (Robyn Nevin), who seems to be suffering from dementia. Now she and her daughter Sam (Bella Heathcote) find themselves trapped in the crawlspace while fleeing a warped Edna, who has been warped by a supernatural force. With contorted joints and decaying flesh, she has become monstrous. At first it seems they have defeated Edna and are heading out the door.
Then Kay looks back to see her mother lying on the ground, struggling to breath. This brings the film into a unexpected turn as Kay carries the creature that used to be her mother to bed. When Kay peels the skin off Edna’s body to reveal a charcoal skinned, dying creature, the film goes from creepy to heartbreaing. Anyone who ever lost a loved one to dementia will recognize to devastating feeling of watching them fade away right in front of your eyes.
4)             The one-take action scene in EXTRACTION
Well, we can’t have a best movie moments of 2020 list without mentioning the 10 minute action sequence from Extraction.
As black market mercenary Tyler Rake (Chris Hemsworth) shields the kidnapped son of a drug lord from other mercenaries, his race across a Bangladesh village delivers all you want from an action movie. Fast paced car chase? Check. Semi-automatic gun battles? Check. Hand to hand combat? Check. Parkour across rooftops? You bet. Sometimes you’ll even get people get hit by cars during hand to hand combat. All of this happens while cinematographer Newton Thomas Sigel makes it look like one take.
Sure, sophisticated viewers will recognize there the cuts are hidden. But when director Sam Hargrave is willing to ride on the hood of a car as it races across dirt roads for the sake of a shot, you can’t help but be impressed
3)            Opening Bike Ride from THE CLIMB
The film begins with what sees like a regular bike ride. American Mike (Director and Co-Writer Michael Angelo Covino) and Kyle (Co-Writer Kyle Marvin) are racing across the road of a French mountain before Kyle’s wedding. But then Mike reveals he’s slept with Kyle’s fiancé, resulting in the furious Kyle to chase Mike. Unfortunately, they’re both too exhausted to commit to a long chase.
The whole opening sequence could be its own short film. Covino and cinematographer Zach Kuperstein) shoot it all in one unbroken take, allowing the awkward exchange to flow more naturally. It leads to a hilarious moment when Kyle tries to chase Mike, but neither have the energy to keep going. Plus, it summarizes the reoccuring cycle of the film with Mike becoming increasingly self-destructive and a terrible friend and Kyle being nice until pushed too far.
2)            The Ending from UNCUT GEMS
After spending two hours in a state of panic, it looks like the audience will finally breath a sigh of relief. After locking his pissed off brother in law Arlo (Eric Bogosian) and his goons Phil (Keith William Richards) and Nico (Tommy Kominik) in the Jewelry store with him, smooth talking jeweler and gambling addict Howard Ratner (Adam Sandler) makes the biggest win of his life via pinpoint accurate predictions of a basketball game. Now he has millions of dollars; way more than enough to pay off his debt. Everything’s coming up Howard. That is until the furious Phil puts a bullet in Howard’s head and proceeds to rob his store.
With all his reckless behaviour (including putting his girlfriend at risk) and overconfidence, you knew at somehow Howard was going to be punished. But when the flilm cuts to scenes of Howard’s family celebrating the game and his girlfriend leaves with the money, you can’t help but know how bad they’re going to feel when they find Howard dead.
Then the camera zooms into Howard’s bullet wound to reveal the same colourful kaliedescope imagery as shown within the title uncut gems. With Daniel Lopatin’s enchanting new wave score playing, this moment gives the audience a moment to finally relax before closing with Gigi D’Agostino’s L’amour Toujours.
In spite of (or because of) his flaws; Howard is himself an uncut gem.
1)            The little things inspire Joe from SOUL
Everyone recognizes “The Pixar Moment”; that scene that elevates a Pixar film from great to extraordinary. No one can truly define it, but it’s the one scene from the film everyone talks about. It’s the ten-minute prologue from Up. It’s Anton Ego’s reaction after trying Remy’s dish in Ratatouille. Even a lesser Pixar film can have this moment; a perfect example is when Lighting McQueen allows Ramirez to race in his place in Cars 3. Now we can add another film to the list thanks to Pixar’s latest masterpiece Soul.
After a day of escaping the afterlife and being trapped in the body of a therapy cat, Joe Gardner’s (Jamie Foxx) has finally achieved his dream of being in a Jazz band. And he feels…nothing. So, he heads back to his piano to ponder his direction in life. Then he finds the items 22 (Tina Fey) collected while in his body. What results is a moment fans will be coming back to in their moment of need.
As Joe rests 22’s items in front of his piano and starts playing, he comes to realize how a pizza crust and a seed truly meant to her. In the process, he comes realize the moments that seemed meaningless at first had some magic in them. The joy of playing for his father. The feel of the ocean waves flowing on his feet. The taste of a café’s pie.
In a time when many people can’t do any major activities, this moment serves as a reminder of to appreciate the little things in life. I imagine many audiences will return to this scene in their lowest moments.
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mickmarstookmyheart · 5 years ago
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Life's a Sick Joke pt 9
 Pairing: Mick Mars x Reader  
Would like to start from the beginning? You are great! Here is Part 1!                      
Sidenote: As this story is under construction, I would like to warn you that those chapters which don’t have a proper title are written in the main caharcter’s POV!! Be aware!!! Be awaaare! I hope you will enjoy this storyas I did writing it, have a nice day and feel free to leave marks!     
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 9. Crazy chick
(Sidenote: I know that Halloween party which MTV threw was in 1985 but let's pretend it was two years earlier. Thanks for your cooperation.)
After the concert and that little fun in the changing Doc told you that we could attend the MTV's Halloween party that night.
"So Cooper, what is your costume for tonight? Princess, witch? Or you could dress up like me. I could give some advice, you know." Tommy asked you while searching for the perfect costume in a shop down Sunset Strip. You were just walking through the isles, not searching for anything exact. You weren't in the mood. Usually, you spent Halloween with your brother and sister, playing games, watching movies, and scare the shit out of neighbors.
"Well, I don't know if I could even attend that party, Lee. It is an official party for big and famous people. And they have their official photographers so yeah...I won't dress up. I will watch you guys from the coach of the hotel room and then watch some horror films." He froze and put his hands on his hips while sending you death glares. He just walked away and finally, there was some silence. You walked over to the makeup section when Tommy came back along with Mick and Vinnie. Nikki didn't come with you, saying he has something important to do. He has been acting strangely lately or maybe it was just you always complicating things.
"Are you out of your mind, (Y/N)? Of course, you are coming with us!! There is no chance that my best friend won't be on our side and not having fun. If you won't go then shall not we!" Vinnie crossed his arms in front of his chest.
"That supposed to be a threat?" You asked giving him a fake laugh.
"I'm not saying this often, babe, but he is right. Come and have a little fun. It will be good for you. Some time-off." Mick stepped closer and cupped your face with his hands while looking deep in your eyes. "Or we won't go and I'm sure they will annoy you for the rest of life why you didn't go to that party." He said.
"Sometimes I am wondering whose side you are on." You raised your eyebrows.
"None. I'm Switzerland." He put his hands up as a defense before pecking your lips.
"That's gross." Vince covered his eyes with one of his hands.
"Hey, they are cute. Guys, I have an idea!" Tommy yelled.
"You have ideas? Wow, don't push yourself too hard." Mick muttered. "What, T-Bone?" You asked.
"You could dress up as Romeo and Juliet!!" He bit his lips waiting eagerly for our reaction. You shared a look with Mick with wide eyes.
"You know, what? That's gross. And yuck. I will rather die than dressing up as Juliet." You said.
"I couldn't agree more," Mick added.
"You are such a buzz to kill." Tommy pouted and walked away continuing looking for a costume. Mick held your hand and placed a kiss on it.
"Then I think I need to hurry up." You mumbled against Mick's lips.
"Do you need help?"
"No. I think I already have an idea." You smirked from the idea.
"That's sick. I love it. Buy it. It will the best. You are a crazy and morbid chick you know that, right?" Vinnie told you after he gazed at your choice of costume.
"Hey, but you can't tell anyone this. I want it as a surprise." You pointed at him while watching yourself in the mirror.
"All right. It will be hard but I will try."
"Vince!" You glared at him and hit him in the arm.
"Ouch! By the way, I'm just teasing you. It's too easy." He grinned at you and left the changing booth.
When you walked down the hall still in your casual clothes, the boys had already been there in their costumes.
"Where is your costume?" Nikki asked in his devil costume when he saw you walking down the stairs.
"Go. I will catch up. Don't look at me like that. I'm coming, don't worry." You put up your hands in defense. You took a look at each of their costumes. Your favorite was Nikki's but Mick looked badass in his, too. "Wanna bite my neck, Mr. Mars?" You smiled and pulled your hair away from your neck. He leaned closer and placed a soft kiss on it.
"Just after the party. If I bit you now then I will be able to stop." He whispered in your ears. You just giggled and then stopped when you see THAT thing in Tommy's hand.
"Tommy! Did I teach you wrong? What is that unholy item with you?" You snapped.
"It's not unholy. The opposite." He looked down the Bible and then at you. He had a devilish smile on his face when he stepped closer.
"Don't come any closer with that. Just if you want me to turn into dust." You stepped back and when he started running you did the same. "See you at the party!" You yelled back at the boys when Tommy tripped over one of the steps and fell over. "Haha. Karma!" You laughed at him and continued your way to your room to dress up and surprise them.
Cameras were clicking and your boys were the object of them. They acted goofy as always. Tommy still had his thing with him. You looked at Vince and tried to recognize his character. You didn't really manage. You recognized that your vampire even had fake blood in the corner of his mouth and on his white shirt as well. You made your way to Doc who was on the other side of the room. Damn. The only problem was that you had to walk in front of the boys so in this case, they could easily recognize you. You quickly beetled behind the photographers and almost arrived at Doc when someone touched your shoulder making you jump a bit.
"Sorry, miss. Can I take some photos of you, please?" A guy asked and immediately did some photos not giving a fuck about your permission. You posed, of course, then most of the photographers turned around to take some photos of you. You blushed and looked at Doc for advice but he just laughed and shook his head.
"See, kiddo. You always steal the show. Moreover, you are creepy for dressing up like that." Doc said. Mick, Vince, and the Terror Twins were in the middle of posing when at least half of the photographers left them there.
"Hey, don't you want to take more photos of us?" Tommy yelled.
"Who the fuck they are taking photos of?" Nikki asked and was on his tiptoes to see something. Vince just tried to hide his smile since he exactly knew the answer.
"Okay boys now that's enough. Thank you, really." You tried to make them understand but they just didn't listen. Now you understood why all the celebrities hide in disguise in the streets.
"Holy SHIT! THAT'S, that's Cooper!!!" Tommy pushed on Nikki. Vince burst into laughing and clenched on Mick's shoulder. Mick was staring at you with wide eyes, Nikki's mouth dropped, also Tommy's. Vince gave a thumb up and patted Mick's back.
"Go, get her vampire." He said to him and pushed Mick in your way. He simply pushed the photographers from the way and stopped in front of you. You smiled at him and open your arms while turning around showing him your dress.
"You are...you are beautiful yet you are crazy. You spent too much time with those teenagers." He said while he put his hand on your waist making faces towards the photographers. You waved to the rest of the boys to come there.
"I can't believe you. How could you dress up as THE FUCKING REAPER after all those bad things?" Nikki eyed your costume when Tommy pushed him away.
"You are a Goddess!!! You are my girl. I will worship you and I will be your slave." He bent the knee and bowed his head. You kicked him a bit to make him stand up again. "You are also a weirdo, damn." Well, they were damn right about that. Being dead, even for a little bit, and dressing up as the Reaper himself was the craziest idea you ever had.
You finally gathered together and let the artists take photos of you. After that, you searched for some booze to start the party. You drank. A lot. You were already a bit dizzy when Nikki came up with the idea to play. Also, Ozzy showed up and played with you. You will spend quite a long time with this crazy guy since the Crüe will be the opener for him in North America for his 'Bark at the Moon' tour.
"Happy Day where all the ghosts throw a party in the graveyards!!!" You yelled lifting a beer bottle in your hand.
"Those are drunken teenagers, not ghosts," Mick muttered.
You played Pass it on ghost story, Candy Corn Relay Race, the Corny Game, and your favorite Deadly Wink! You were usually in a team with Vinnie since he insisted and you were too wasted to reject. The Terror Twins stack together and Ozzy annoyed Mick. Poor him. You almost managed to pick that last fucking apple from the bowl when Tommy yelled meaning they won. You spit the apple from your mouth and clapped.
"Congrats, guys!" You laughed and tripped a little due to the costume and the amount of the alcohol you consumed.
"Someone is a bit tipsy?" Mick caught you just in time and pulled you towards the dance floor. Slightly slow music was on played which was a bit too slow for the party.
"Where are we going, Dracula?" You giggled way too hard. All the guests were dancing and you didn't see any empty places to be, but Mick kept pulling you into the crowd. Well, at least that was what you thought. He opened the door and the chilly air hit you in the head. He walked you behind the house where were just a bunch of teenagers kicking into some fake graves. He took your hand and pulled closer.
"Come and have a dance with me."
You blushed and looked around. "Don't care about anything. Just dance with me." You smiled and started dancing. You were a bit shaking from either the cold and the situation. He still managed to take away your breath with his look. He must've noticed it because he took off his suit and put it in on your back.
"Thanks." You said and placed your head on his chest.
"Thank you for everything." He pulled back and kissed you passionately. The kind of kiss which told you everything. You leaned even closer not leaving a single inch between you and Mick. He groaned into the kiss and put his hand on your back to pull you closer if that was even possible. When you separated neither of you couldn't open your eyes for a moment. You were panting from the kiss.
"I should thank you. You are the reason I feel a little less broken every day. You always make my days brighter with your little and annoying things. Whenever I'm on the stage and I am stressed a bit you are always there which makes me feel better." You felt tears in your eyes and could see in his, too. "Hey don't cry. I'm sorry I didn't mean to." He wiped yours away and brushed his thumb over your cheek. "You will ruin your make up." He chuckled cleaning your face with the sleeve of his shirt.
"It's just...I think hardly anyone told me these kinds of things to me. I'm just happy that I'm important to someone. So it's just happy tears. Don't worry." You sniffed.
"I'm sorry." He took your hand again and started to dance to the music. You felt the warmth of his body, the scent of his perfume and the alcohol, and the touch of his skin. The chilly night and the light of the moon made it even better.
Next chapter
Tags: @cmft-jr-winchester @leatherandheels​ @karrotkate​
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crue-sixx · 5 years ago
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The FUNeral
Title: The FUNeral
Fandom: The Dirt (Motley Crue Movie)
Summary: The reader has died, and her funeral is one for the record books.
Warnings: Swearing, dark humor, making a funeral more uplifting (the reader wanted people to have their last memory of her while laughing), cancer death.  If you are sensitive to any of these, please don't read.
It was late October when you had lost your battle with brain cancer, and you'd drawn your last breath.  You were alone, but you wanted it that way.  You didn't want your loved ones to see you in such a state of deterioration.   You had a last meeting with your lawyer to discuss what you'd wanted at your funeral.  When you were finished, he looked at you unsure of himself and asked "Are you sure you want to do this?  It is very unorthodox..." You assured him that it was indeed what you wanted and that you had already arranged his payment on the condition that all your instructions were followed to the letter.
Vince first got the call that you'd passed from your lawyer and given information about the funeral.  "And if you wouldn't mind bringing a beverage of your choice to be opened before the eulogy is given, that would be good..." he coughed.  Vince thought it was strange, but knowing you in life it fit right in.  After getting off the phone with the lawyer, he called Nikki, Tommy and Mick to tell them the news.
They showed up in normal funeral attire, only to be stopped by your younger sister Kathy at the door, who was wearing a pink pantsuit "Where the Hell do you think you're going dressed like THAT?"
They all looked at her, then each other "To Y/N's funeral?" Nikki offered, but she scoffed.
"That damn lawyer didn't tell you about the dress code did he?" she reached around the corner and bought out the brightest, ugliest suits they had ever seen.  Plus they all had floral patterns on them.  The four men couldn't help but giggle.
"Did you guys raid the half price prom section at Walmart?!" Tommy laughed.
"Either you go home and change into something not black or you take these" she offered.  Their houses were at least an hour away so they took the suits and changed in the bathroom.  All the arrangements had been finalized and it just so happened that your funeral fell on Halloween.  That didn't make any difference to you, you had planned what you wanted for your funeral years ago, even before you had been diagnosed with brain cancer.
You had your siblings and funeral home staff put up Halloween decorations, your casket was pumpkin orange and you had been dressed in full clown make-up and costume for your mourners to view you as you lie in state.  Your friends didn't know weather to laugh or cry, so they did both "That stupid heifer" Nikki cackled as he cried.
There was a sign on the inside of the casket lid that read "Squeeze my nose" so Tommy did it.  It make a sound like a honking duck, which sent the whole room into laughter.  When it was time to take  their seats, Kathy got up to give the eulogy.  "Alright, before I start lets take this moment to crack open whatever drinks you bought with you.  If I hear someone opening a can or bottle while I talk about my sister, I'll come down there and knock some skulls" she gave a once over the crowd, who lifted up their beers and soda cans in your honor "One...two...three!"  The sound of hissing filled the air and cracks as beverages were opened.
"My sister was always the weird one" she began "but she always had your back.  If you were kicked out of your house, her couch was always open.  If you needed a sitter, she'd watch those fuckin' kids however long you needed her to.  If you needed a shoulder to cry on, she'd just show up unannounced" Vince had to sniffle at that, you having done just that when his little girl Skylar had died.  You'd let him crash at your place, drink all your booze and drove him to wherever the fuck he wanted to go.  He didn't even call you to tell you she'd passed away, you were just outside the room while the family had absorbed the tragedy that just happened.
"This day is NOT for mourning" you sister had tears well up in her eyes "This day is for celebration.  That's why I made people who wore black change into something more colorful.  Y/N would have wanted it like that" she raised her beer in your direction and said "To Y/N, that her pain has finally ended and she can watch us make damn fools of ourselves!"
Just then, as per your instruction a very nervous funeral director pressed a button on the stereo and "Ding Dong The Witch Is Dead" from The Wizard of Oz blasted through the room, the poor man wringing his hands with anxiety the whole time.  This prompted even more crying laughter.
The whole room cheered and chugged their drinks down in one gulp.  There was to be a luncheon at your house afterward, where you had arranged the most disgusting and unsettling food to be offered.  You knew that nobody would eat it, so you also had regular food.  There was roast duck, the whole body with the head still attached on one end of the table while on the other end was a whole deep fried octopus-both of which still had their eyes.
You wanted to be cremated and your ashes made into jewelry for your closest friends to wear.  These four people being Vince, Nikki, Tommy and Mick.  You had met at a bar almost thirty years ago when a man was giving you unwanted attention.  They were about to step in when the man in question said "You'd be so much prettier if you smiled, baby!"
To this, you bit down on the capsule of fake blood you held in your mouth and flashed him a cherry red Cheshire cat grin.  You had pushed the blood out of your mouth and let it dribble down your face and onto your best Christmas sweater.  The guy looked scared shitless and walked away, all four of them laughing and buying you a round of drinks for a job well done.  
Your regular job was a music box maker; you doing the painstaking task of constructing the box, putting in the sound mechanism, making sure all the gears worked as they should and putting it all together to make a functional music box.  About a year before your diagnosis, you had been working on a surprise for Vince- a box that played Skylar's favorite lullaby when opened.  You tried your best to complete it before you got too sick, but that damn cancer hit you like a hurricane.  So your sister finished it for you.
"Hey Vinny?" Kathy pulled him aside "You know Y/N always had a soft spot for you right?"
"Yeah" he sighed "I was the one who popped her cherry back in the day" you were one of the few girls he actually felt something for, but didn't have the balls to say it to you much less himself.  His great denial took the form of him burying himself in as much snatch as he could to get his mind off you.
"Well she was working on a surprise for you before she got sick" she took the box from her bag and gave it to him, a music box in various shades of pink and in cursive the name "Skylar" written in silver glitter.  His breath caught in his throat, Kathy having to take it from him and turn the key for the music to play.  He opened the lid and the tune "Baby Mine" from Dumbo played, in the very center a small figure of a little angel with blonde hair spun around as if she were dancing.
"I love it" was all he could say, letting tears of sadness and gratitude fall "thank you..."
"Hey, Y/N started it" Kathy was crying too, her remembering that you'd loved that little girl just as much as her biological family did "I just finished up following her plans..." 
A few weeks later, they all got their rings in the mail with the note "So you'll always have a piece of me with you close by..." and on the back it continued "Dumbasses"
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mxliv-oftheendless · 5 years ago
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Ruining KISStory: A Filthy, Filthy Story About Benjamin Franklin
So in celebration of surviving my French midterm (my anxiety over it was through the roof for some damn reason), I decided I would post this crazy little thing for y’all! So in like, actual real life, Shane for a while did his own show called Ruining History, which I totally recommend for you guys to actually watch. So this is a spinoff of my KISS Unsolved AU, appropriately named Ruining KISStory (a name I’m super fucking proud of actually XD), in which our resident Queen of the Trolls Paul Stanley gives us his own creative spin on historical events. And yes, it’s going to be just as chaotic as Unsolved lol. Here’s the link to the original episode if you want to watch that first. 
And now, without further ado, enjoy!
Tag list: @cosmicrealmofkissteria​  @ashestoashesvvi​  @kategwidt​  @retronova​
[camera opens on Paul, who is sitting at a panel. A map of the world is hung up behind him. The sound of tuning violins plays in the background]
PAUL: Some people think history is boring. But I think Benjamin Franklin might have been in some weird sex parties!
[intro, then title card. Grand orchestra music plays in the background]
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[cuts back to the panel; the shot has been widened so the entire panel is visible. From left to right: Vinnie, Gene, Paul, Eric C., Tommy. Labels showing their names come up on screen]
PAUL: So what do you guys know about Ben Franklin?
VINNIE: … Kites!
ERIC: Ethics?
TOMMY: Oh! He used the kite and a key and discovered electricity!
GENE: Oh yeah, we learned about that in school.
PAUL: Pretty sure every school tells that story.
GENE: He also helped Nicholas Cage find treasure.
PAUL: [gives him a withering look before turning away] Okay. [Tommy laughs]
[screen cuts away to a title card:
CHAPTER I:
THE AMERICAN OVERACHIEVER
screen then cuts to animations as Paul narrates, while inspiring music you would hear in a film set during the American Revolution plays in the background]
PAUL [voiceover]: Born in 1706, Benjamin Franklin is often thought of as the model American citizen. Throughout his life, he was… well, he was a lot of things. Seriously, a lot of things.
[a list of text boxes appears on screen next to a picture of a statue of Benjamin Franklin:
POLITICIAN
AUTHOR
SCIENTIST
CIVIC LEADER
POSTMASTER
MEDIA MOGUL
INVENTOR
DIPLOMAT
I COULD KEEP GOING BUT YOU GET IT]
PAUL [voiceover]: Beyond all that, though, he seems like the kind of guy you wouldn’t mind having a drink with. But, if you did spend some quality time with Ben Franklin, things might get weird.
[cuts back to panel; Vinnie looks intrigued]
VINNIE: By weird, do you mean [waggles his eyebrows] weird or just eccentric-weird?
PAUL: I mean [waggles his eyebrows] weird.
ERIC: [looks a little nervous] Oh no… I really liked Ben Franklin as a kid.
GENE: Well, he’s gonna ruin the history books for ya, Eric.
TOMMY: Oh is that why it’s called Ruining History?
PAUL: Yep!
TOMMY: Nice, I like that.
PAUL: Thank you. [cuts back to animation sequence]
PAUL [voiceover]: In the years during and after America’s fight for independence, Franklin spent much of his time serving as a diplomat in Europe. And it’s a good thing he did. Author Walter Isaacson has argued that America wouldn’t have won the war without Franklin’s excellent diplomacy in France. It wasn’t all politics, though. At the time, Paris was regarded as one of the most cosmopolitan cities at that time in history. And a wave of cultural enlightenment paired with a strong economy gave the upper class the means to… well… [music intensifies] have many crazy, crazy, crazy… crazy nights…
But we’ll get to that in a second! Franklin seemed to find himself right at home in this environment. To give an idea of his bohemian life abroad, here’s a curious morning routine he picked up during his time in France.
GENE: I bet it was, powder on the balls. [Eric laughs]
PAUL: [snickering] Powder the wig, powder the balls.
TOMMY: Powder the balls, get out on the street, and do something! [Vinnie laughs]
PAUL [voiceover]: While writing to a friend of his, Franklin described his habit of taking what he called “air baths.” Quote, “I rise almost every morning and sit in my chamber without any clothes whatever, half an hour or an hour, according to the season, either reading or writing. The practice is not in the least bit painful, but on the contrary, agreeable.”
[cuts to the left side of the panel. Gene looks uncomfortable, while Vinnie just gives a raised eyebrow]
GENE: I don’t know what it was about how people wrote during this time, but describing sexual acts in this kinda language makes it dirtier than it actually is.
PAUL: There’s nothing sexual about this.
VINNIE: There’s no sexuality here, Genie, your mind is just dirty.
TOMMY: Yeah, he’s just sitting around his house naked.
VINNIE: I mean if the hand just happens to fall…
GENE: Vinnie, I can’t believe I’m saying this to you, but guys—we don’t just jerk off on accident!
ERIC: I mean… I have no idea how to respond to that.
PAUL: I think some guys do.
TOMMY: Peter does.
PAUL: [raises an eyebrow at him while they all turn to stare at Tommy] … How do you know that?
ERIC: I could’ve gone my whole life without hearing that. [cuts back to the animation sequence]
PAUL [voiceover]: Franklin’s social calendar in Europe was full of invites to gluttonous but incredibly classy all-night ragers, where his status as an American statesmen made him a pretty interesting guy. The women of France allegedly couldn’t get enough of him. One account describes hundreds of women surrounding him, placing a beautiful wreath upon his head, and lining up to kiss him.
ERIC: That didn’t happen… right?
PAUL: [shrugs] I dunno, it could have happened.
VINNIE: That sounds like something you would do to your old grandpa, though.
[silence. Everyone on the panel turns to stare at Vinnie in confusion]
TOMMY: What?
GENE: So you’re saying, at family gatherings—
VINNIE: No! I’m just saying, that doesn’t seem like something you’d do to someone you wanna get with. Like, would you put a funny hat on them? No. [silence] I’m just saying, you guys!
[cuts back to animation sequence]
PAUL [voiceover]: Ben’s home life was, according to accounts, equally spicy. When famous painter Charles Willson Peale paid Franklin a surprise visit one afternoon, he spied the elderly diplomat with a young woman seated on his lap. [cuts to a sketch showing a man with a woman on his lap] This sketch of his is believed to depict the two. Kinda weird that he would sketch that, but hey.
[cuts to the panel; everyone is looking at their own copies of the sketch]
GENE: She seems to have a pretty good grip on his balls.
TOMMY: That’s a, a vice-like grip there.
VINNIE: They’re still wearing pretty much everything.
ERIC: Did you guys notice their eyes? Their eyes are open and they’re just staring at each other.
PAUL: Yeah, their eyes are pretty striking.
VINNIE: Yeah…
ERIC: They’re kissing, but it’s, it’s a little unnerving. Wonder why the guy would sketch this…
PAUL [voiceover]: Some historians have evaluated Ben Franklin’s habit of charming the elite women of Europe as a strategic ploy, suspecting that he hoped that they would speak favorably of Franklin and his case for American liberty to their policy-making husbands. But many others argue that he was just a vulgar old man. Author Albert Henry Smith wrote that Franklin’s, quote, “animal instincts and passions were strong and rank.”
VINNIE: [looks mildly disgusted] Well that’s descriptive.
GENE: [snickering]: Y’know, good old animal Ben.
PAUL: An animal…
GENE: Hey, hey: I’m an animal.
PAUL: [stares for a second, then smiles] Ah!
GENE: Ah! [high-fives Paul]
ERIC: Wait, if he was born in… when was he born?
PAUL: 1706.
ERIC: If he was born in 1706… then how old was he when all this was happening?
PAUL: He would have been… probably between his late 60s and early 70s.
[Eric’s face looks very shocked, slowly contorting into disgust]
TOMMY: Oh man, he was as old as my grandpa!
GENE: [shrugs] Hey, if it still works… [cuts back to animation sequence]
PAUL [voiceover]: Based on Franklin’s party-animal-rock-star lifestyle, it makes sense that he would be in the same social circles as some of Europe’s more notorious scoundrels; and so he was. So let us now turn our attention to a man whose life would soon intersect with Franklin’s: Sir Francis Dashwood.
VINNIE: [snickering] Very English name. [mock British accent] Sir Francis Dashwood!
[screen cuts away to a title card:
CHAPTER II
THE FANCY ENGLISH SEX MAN
lighthearted music plays]
PAUL [voiceover]: Born in 1708, Sir Francis Dashwood was the only heir of a wealthy merchant. He’s perhaps best summed up by one author’s description: “An enormously rich man with a genius for obscenity.” Dashwood’s primary interests were seemingly set in stone when in his formative years, he embarked on his Grand Tour, a traditional rite of passage during which wealthy young men traveled through Europe on a cultural odyssey. As Dashwood’s tutor put it, he, quote, “fornicated his way across Europe.” In one instance, he even seduced the Empress of Russia while claiming to be Charles the Twelfth of Sweden, a man who was, at that point, dead.
TOMMY: Wait, did she not know Charles the Twelfth was dead?
PAUL: I mean, if she got fooled by this guy, I’m pretty sure she had no idea.
VINNIE: This was the era before email and the Internet, so word traveled pretty slowly. Also, [laughs] I love how his tutor says he pretty much fucked his way across Europe.
GENE: Wonder how he got her to sleep with him…
ERIC: I don’t think we need to know the details, Gene.
GENE: Maybe you don’t.
PAUL [voiceover; tense music plays]: These travels also inspired Dashwood’s fascination with sacred rituals of the past. He wasn’t really a fan of the religious institutions of his day, but he was simultaneously fascinated with Europe’s rich history. So when he wasn’t womanizing, he was sauntering through dusty catacombs lined with mummified corpses, or sitting in old Roman ruins imagining the orgies of the past. So it’s this odd mutual appreciation for debauchery and sacred history that would lead to Dashwood’s crowning achievement and ultimately his friendship with Ben Franklin: the Friars of St. Francis of Wycombe. Or, as it was more popularly known…
[music reaches a climactic peak as the name appears on screen over burning flames. Paul reads the name]
THE HELLFIRE CLUB!
GENE: Oh shit.
VINNIE: That sounds awesome.
PAUL [voiceover]: Dashwood’s Hellfire Club was meant to attract the most depraved and intellectual men of the time. And over the course of its history, its lineup would allegedly include such notable men as the Prime Minister of England, the Lord Mayor of London, several of England’s greatest artists and poets, the Prince of Wales, and possibly, as evidence would strongly suggest, Ben Franklin. See, Dashwood was publicly known to sympathize with the cause of the American rebels, and he had exchanged letters with Franklin many times. Furthermore, Franklin actually visited Dashwood’s estate at West Wycombe for an extended period in July of 1772, and during his stay, there is a record of a club meeting taking place. According to one author, quote, “there seems to be no reason why Franklin should have gone to Wycombe at this special time unless he was a member. Only club members were allowed at Dashwood’s estate during club meetings.” So, keeping in mind Franklin’s likely involvement, let’s look at what he would have encountered during his visits with the Friars of St. Francis of Wycombe.
The members of the club reportedly donned white monk’s robes, and were each allowed to invite along, quote, “a lady of a cheerful, lively disposition, to improve the general hilarity.” These women also dressed up, wearing nun’s robes and masks to avoid an embarrassing run-in with a husband or acquaintance.
GENE: This is some freaky stuff.
VINNIE: [looks enthralled] This is awesome.
TOMMY: Eyes Wide Shut…
PAUL: [nods] Yep.
PAUL [voiceover]: The first location of the Hellfire Club was on the shores of an island in the Thames River. Shrouded in a thick grove of elm trees, the island was the perfect location for the not-monks to spend an evening with their dates away from the prying eyes of the public. It was also ideal because it was home to the crumbling remnants of an old medieval ruin built in 1160 known as Medmenham Abbey. Dashwood actually set about reconstructing the site, but since he had a flair for the dramatic, he asked that it still resemble a creepy old ruin. But he did install a few upgrades:
A series of stained glass windows depicting the club members in, quote, “indecent poses.”
A brilliant pornographic fresco that John Wilkes, who wasn’t known to shy away from vulgarity himself, described as, quote, “unspeakable.”
And an expansive library stocked with classical literature as well as, quote, “the finest collection of pornographic books in Great Britain.”
PAUL: So to help us get more immersed in what went down at a club meeting, I’ve provided for all of you the proper tools.
[everyone looks under the table and takes out boxes. In the boxes are black robes, 1700s-style hats, some with feathers sticking out, and Venetian masquerade masks that are black and a different color. Vinnie has black and gold, Gene has black and red, Paul has black and purple, Eric has black and orange, and Tommy has black and blue]
GENE: [as they’re all putting on their costumes] Man, you really went all out, didn’t you?
PAUL: Oh, just wait.
ERIC: I will say, I do feel more immersed in the experience now.
TOMMY: This is pretty awesome.
PAUL: Okay, now that we’re all dressed up, let’s get into the juicy stuff!
VINNIE: [looks incredibly excited] I can’t wait.
GENE: [laughs] You look so excited.
VINNIE: Because I am. [bangs rhythmically on the table] Get to the juicy stuff, Paulie!
[screen cuts to a title card:
CHAPTER III
THE DEBAUCHERY BEGINS
slow, tense music plays and animations show events as Paul narrates]
PAUL [voiceover]: In the cover of night, the hooded monks and their dates would arrive to the island on a red gondola. Stepping ashore, they were greeted by the far-off drone of the abbey’s organ and the ringing of a ghostly church bell. Outside the abbey, they’d come upon an ominous statue of Harpocrates, the Egyptian god of silence. [a statue of Harpocrates is shown with a finger over his lips, and a voice that sounds like Paul’s whispers “Shhhhhhut the fuck uuuup…”]
Once inside the abbey, Dashwood would pour his guests a special cocktail of brandy and brimstone, and they’d all raise their glasses in a toast to the powers of darkness.
VINNIE: This sounds fucking a-ma-zing! I love theme parties, and this is just, just fucking amazing. I wouldn’t stay for the sex, though.
GENE: You’d just be there for the theme part?
VINNIE: Yeah, I’d do all this, then when they start doin’ it, I’d just duck out.
PAUL: Also, before we continue, I was actually able to, to make this more immersive… [reaches under the table and pulls out a bottle of wine]
VINNIE: Ooooh, nice!
TOMMY: Is it the brandy and brimstone cocktail?
PAUL: [laughs] Heh, no, it’s not, it’s just wine. I also have… [reaches under the table and pulls out five silver ornate goblets] these babies! [passes them out]
ERIC: [looks over his in fascination] Wow, these are awesome! Where’d you get these?
PAUL: [laughs] The Wizarding World of Harry Potter. [Eric laughs]
GENE: Oh yeah, you took Erin there for her birthday a while ago.
PAUL: Yep, and I got these. [they all pour wine into their goblets and raise them in a toast] To Ben Franklin and the Hellfire Club!
PAUL [voiceover]: With the striking of a gong, the monks would move further into the abbey and file into the chapel. Here, it is suspected they practiced a black mass, in which a woman laid naked on the altar and the monks proceeded to drink sacrificial wine from her navel.
ERIC: We’re not doing that, are we?
PAUL: Oh no, we’re not doing that.
ERIC: Okay…
GENE: [laughs] Disappointed, Eric?
ERIC: No, I just—fuck you, man.
TOMMY: Would’ve been interesting.
PAUL [voiceover]: Now I should say, since I know you’re all wondering, it’s generally thought that the members weren’t actual Satanists, despite all these weird rituals. Some members actually found this aspect pretty boring. John Wilkes actually found the rituals so dull, that he once dressed up a baboon as a demon… bear with me… he locked it in a trunk, and he stowed it in the abbey. Then, when the members called upon Lord Satan to appear, Wilkes pulled a string to release the frightened animal. For a moment, the members stared in disbelief…
… And then they lost their minds.
[music grows chaotic as the animation shows the baboon leaping over terrified figures while screams are heard] The terrified baboon leapt onto Lord Sandwich—yes, that Lord Sandwich, the guy who invented the sandwich—causing him to allegedly shout, “Spare me, gracious devil! I never knew that you’d really come or I’d never have invoked thee!”
[cuts back to the panel, all of them laughing]
VINNIE: I love how, even among this weird society, there was that one guy who was like, “This society is dull!”
PAUL: Also, after this happened, the baboon jumped out the window, and they weren’t able to catch it.
GENE: [laughing] That’s hilarious.
ERIC: [laughs and waves] Bye, suckers!
TOMMY: Bye, Felicia!
PAUL [voiceover]: As the alcohol continued to flow, the monks and their guests might share dirty stories, or read from the era’s more popular works of pornographic literature.
PAUL: I’ve provided you all with a piece of pornography. These are all from a piece published in 1740 called, “A Dialogue Between a Married Lady and a Maid.” So without further ado, [gestures to Vinnie for him to begin] Vinnie?
[dramatic piano music plays as Vinnie starts to read, looking like he wants to laugh]
VINNIE: “There is between the thighs, just at the bottom of the belly, a piece of flesh… Underneath, hangs in a bag, or purse, two little balls, pretty hard, and the harder the better. They call them stones, and in them is contained that white thick liquor.” [he wheezes, then bursts out laughing, joined by Tommy]
GENE: “He took hold of that place which distinguishes us from men. At the same time he cried out, ‘O! I have a maid! A virgin to my share!’”
VINNIE: I love that they seemed to not know the exact words. [laughs]
PAUL: Well, it was a different time. They were more prudish, I think.
VINNIE: True. I’ve seen some stuff online that’s pretty vulgar. There’s this one person online who likes pugs that writes some naughty, naughty stuff. [looks at the camera smirking] You know who you are. I see you.
ERIC: Okay, my turn. “His member was stiff and hard as a horn. Just as he had finished…” oh God, why? “… my mother, who had heard me shriek, came into the room.”
TOMMY: “‘What a happy girl you are!’ said she. ‘Pluck off this smock, which I will keep for a relick, since it is stained with thy virgin’s blood.’”
GENE: [to Vinnie] I feel like we got the lesser of the four passages.
VINNIE: I dunno…
ERIC: You did! Mine and Tommy’s were pretty explicit. You just got a playful description of balls!
VINNIE: Hey, that’s pretty tame compared to some of the smut that’s out there today.
GENE: Fifty Shades of Grey? [Paul frowns and glares at Gene as the rest of the panel silently stares at him] … What?
PAUL: How dare you. [Tommy laughs] How dare you bring that crap into my show. [cuts back to the animations]
PAUL [voiceover]: With bellies full of drinks and minds full of smut, guests would start to pair off and retreat to any of the private cells, which were prepared and stocked with the, quote, “proper objects for lascivious activities.”
[cut back to the panel. Eric is slumped over the desk]
PAUL: [looks over in slight amusement] You okay there, Eric?
ERIC: I just… I don’t even want to know what they got up to.
VINNIE: [grinning and trying not to laugh] It seems pretty obvious to me what they got up to.
ERIC: I don’t want to—
VINNIE: [still grinning] They got some of that dirty rhythm.
GENE: [also grinning] They indulged in some sweet pain.
ERIC: Gene, no—
TOMMY: [just assume everyone is grinning widely] They went for a rocket ride.
PAUL: They rocked hard all night.
GENE: Took each other down below.
ERIC: Guys, c’mon—
VINNIE: Got some tough love.
TOMMY: Pulled the triggers of their love guns.
PAUL: Put the X in—
ERIC: STOOOP!
PAUL [voiceover]: After operating in secret for many years, the details of the Hellfire Club at Medmenham Abbey were recounted in a popular novel in 1760. It captivated the public’s imagination, to the point that tourists would line the shores to try and spot the sex monks arriving. But, not wanting to give up his elaborate sex parties, Dashwood bounced back by having an elaborate system of caves dug on his own private property a few miles away from the abbey, and it was here that the monks of the Hellfire Club continued to have their parties in total privacy. This new location, and the fact that it was gated from the public and accessible only to club members, lends further plausibility to Ben Franklin’s participation. As he once wrote in a letter, “The exquisite sense of classical design, charmingly reproduced at West Wycombe, is as evident below the earth as above it.” Author Daniel Mannix argues that Franklin’s letter must be referring to the underground caves, and also adds that, quote, “Franklin would have been shortsighted if he hadn’t joined the club. He was a diplomat trying to help his country, and the club gave him the entrée to some of the most influential men in England.”
But as the guest lists for secret societies are kind of hard to figure out, we will never know for sure if Ben Franklin really did attend the Hellfire Club. But his documented friendship with Dashwood and his time spent at the estate puts it well within the realm of possibility. And, if you’re left wondering if a sex club fits with Franklin’s moral compass, then let’s take one last look at the man’s true character with some passages from an infamous piece penned by Franklin himself titled, “Advice to a Young Man on the Choice of a Mistress.” This is a letter in which Ben Franklin encourages his friend to go after older women. It was written in 1745, a copy of it sits in the Library of Congress, and it’s kind of gross.
PAUL: And here to read us the letter, through the magic of theatre… [he turns and gestures off camera] Mr. Benjamin Franklin!
[the panel applauds and whoops, then they all start laughing as Ace walks in with a chair, dressed in 1700s style clothing with a wig that is long grey hair sewn to a bald patch, but we can still clearly see his real hair underneath. A text box appears on him as he sits down between Paul and Eric:
NOT A LICENSED BEN FRANKLIN IMPERSONATOR]
ACE/BEN: Tis I, Benjamin Franklin! Who by some extraordinary means, has come to a strange future time!
VINNIE: [has a hand over his mouth while he’s laughing] This is amazing.
PAUL: So, Ben, we’ve learned a lot about you and some possible details concerning your personal life.
ACE/BEN: Okay.
PAUL: But we still have a few questions. Guys?
VINNIE: Why did you enjoy the company of older women?
ACE/BEN: [reads from his paper] “Because as they have more knowledge of the world and their minds are better stor’d with observations, their conversation is more improving, and more lastingly agreeable.” Wouldn’t you say?
VINNIE: [shrugs and nods] Yeah, I guess.
GENE: Wasn’t he like, 70 years old when he wrote this later? How is he so young right now?
ACE/BEN: “Because the sin is less—”
PAUL: No, wait—
ERIC: [bursts out laughing]
PAUL: You have to ask him. He’s—He’s an old man.
ACE/BEN: I’m old.
GENE: Ben?
ACE/BEN: Go ahead, son.
GENE: Why do you prefer the company of older women?
ACE/BEN: “Because the sin is less,” my dear boy. “The debauching a virgin may be her ruin, and make her for life unhappy.”
ERIC: Huh.
GENE: Deep.
TOMMY: Do you have any more reasons?
ACE/BEN: Uh, yeah. [takes out another sheet of paper while Tommy and Eric silently laugh] “Because in every animal that walks upright, the deficiency of the fluids that fill the muscles appears first in the highest part. The face first grows lank and wrinkled; [cut to the left side: Gene is doubled over silently laughing while Vinnie is listening thoughtfully] then the neck; then the breast and arms; the lower parts continuing to the last as plump as ever. So that covering all above with a basket, and regarding only what is below the girdle, it is impossible of two women to know an old from a young one.”
PAUL: So… you’re saying, when you put a basket over their heads…
ACE/BEN: Yeah. I don’t know. [panel bursts out laughing]
VINNIE: You don’t know?! You wrote it!
ACE/BEN: History will tell. History will tell.
PAUL: I, uh, I think history has told. Do you have any final thoughts?
VINNIE: It was a different time, maybe stuff happened that you couldn’t do nowadays.
TOMMY: He got pretty freaky.
ERIC: I mean, it would be a pretty cool movie, but I wouldn’t really want to hang out with him.
PAUL [voiceover]: Well, there you have it, people! Ben Franklin; a surprisingly multi-faceted individual. History: it’s never that boring if you know where to look. That’s been Ruining History. Thanks for learning with us!
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the--blackdahlia · 5 years ago
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Too Young to Fall in Love Chapter 8 (Dirt!Nikki x Reader)
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Title: Too Young to Fall in Love 8
Summary: Nikki Sixx was a hard partying musician on the strip. He never expected to fall in love with anyone, until a girl knocked on his dressing room door looking for a ride home and took his breath away. Just like everything else Nikki did; the drugs, the money, the music; Nikki went hard with love. (Y/n) Bass never expected the bassist of Motley Crue to be the one to shake her calm and calculated life up. She had a plan. Graduate school, become an epic producer, and watch from behind the scenes as her brother’s band rose to fame. Nikki and (Y/n) were perfect for each other, too bad her brother, Tommy, didn’t think so.
Series warnings:  Smut (18+ Please), drug use, language, referenced miscarriage, drug overdose, mentioned attempted suicide, out of character moments for everyone in the band, the timeline might be a little screwy but it’s fanfiction! I know nothing of music production and my medical knowledge is really screwy, so it won’t be accurate.
Vanessa sighed as the girls left the latest shop. Nothing in any of the shops they have been to seemed to have the right fit for (Y/n)’s date. With a small groan, Vanessa looked back to Athena and (Y/n).
“Ok, this next shop has to have what you’re looking for,” Vanessa said. “Please god let it have what she is looking for!”
They had just found the perfect pair of jeans for (Y/n), and were looking at shirts when a voice called out across the store.
“Hey shitheads!” Tommy’s voice echoed. (Y/n) cringed.
“Did I just hear our idiot brother?” She asked.
“Unfortunately,” Athena muttered and hid her face. “Maybe if we ignore him he’ll leave us alone?”
“Attention K-Mart shoppers! Blue light special in women’s clothing. My sisters Athena and (Y/n), free to a good home!” Tommy called out.
Athena punched him in his arm, “Shut it shit head! I can’t believe we’re related to you.” she growled angrily. “Bad enough you got (Y/n) thinking she isn’t good enough for the guy she has a date with tomorrow. God you are an asshole!”
“You got a date? No way! Someone’s desperate.” Tommy laughed. “Nikki’s got a date tomorrow night too! He’s been like daydreamin’ of this girl or something. I don’t think she’s even real.”
Athena punched him in his crotch, “Tommy stop being a dick to her! Apologize right now! No wonder she thinks she’s ugly! You have torn her confidence to shreds!”
“S-sorry…” Tommy said, a little breathless, holding his family jewels.
“I think I found the perfect shirt.” (Y/n) said, walking past Tommy towards a rack of clothes.
“YES!” Athena clapped her hands and smiled.
Tommy looked at the shirt as he got his bearings back and shook his head, “No way! It’s too skimpy and they guy can try and take advantage of you and….” Tommy looked at Athena. “What?”
“You’re the reason this is her first real date ever, and you’re the reason that’s she’s still a virgin!” Athena hissed at him.
“Oh yes, let’s just announce that for the whole store to hear.” (Y/n) groaned. She looked at Tommy. “What do you care what I wear? You don’t wear clothes half the time.”
“I… you… because I’m your big brother and I’m trying to look out for you,” Tommy sighed. “I don’t want you with someone like me ok?” Tommy looked down to the floor disappointed with himself. “I just think that you can be better than the girls I see at our shows, you know?” (Y/n) decided to test something.
“What if I decided I wanted to start dating Mick or something?” (Y/n) asked. “You can trust them and you can trust me. And Athena bought me pepper spray.” (Y/n) told him, hugging him.
“Oh no!” Tommy shook his head. “The guys are not coming anywhere near you, trust me aside from Nikki who is gaga over this chick he’s met… I want you far, far, far away from Vince and Mick.” Tommy held her face in his hands. “Vince is a two timer, and Mick’s just weird.”
“Okay, okay. I hear you.” (Y/n) said, glancing over at Vanessa, not realizing that Athena was starting to put things together. “Well, I’m going to check out. No work tomorrow, but I do have class.”
“Tommy?” Athena raised her eyebrow at him. “Are those my pants? And what the fuck did you do?”
“Well, you see, I painted my drums but it wasn’t dry…”
“She’s gonna kill you.” Vanessa whispered in a sing-song voice.
“Damn right I am! Going to cut his balls off and turn him into our older sister!” she growled and reached for him but he was too fast.
“I’m just gonna go steal some of Vince’s or something! Bye!” Tommy ran off then.
Taking a calming breath, Athena turned to Y/N and smiled. “So… Nikki Sixx has a girlfriend?”
“Yeah, I guess he does.” (Y/n) smiled at her, but in her mind, she was celebrating. She didn’t think he’d want her to be his girlfriend, but apparently he did.
“You must be excited to go out with him huh?” Athena said quickly.
“Very!” (Y/n) froze and looked over at Vanessa, who just burst out laughing. She looked at Athena. “I…”
“I am going to keep your secret safe,” Athena wrapped and arm around her shoulder. “One, because you deserve to be happy and is Nikki makes you happy, good. Two, we can keep Tommy in the dark. And three, his face when he finds out.”
“God, that’s gonna be a nightmare.” (Y/n) sighed. “But thanks ‘Thena. I just, I really like him.”
“And he seems to really like you sis,” Athena gave her a reassuring smile.
“Okay, I think I’m ready for my date.” she sighed. “I’m nervous.”
“Don’t be,” Athena grabbed her shoulders. “From the way Tommy is describing him he’s gaga over you.” she laughed. “You’re going to knock him dead, plus we need a sleep over for you to tell me the details. So, for tomorrow night, stay over at Nessa’s and we can talk on Friday?”
“Sounds good.” (Y/n) said. They headed home, Athena ready for all the details (Y/n) could give her.
****
“Okay Nessa, how do I look?” (Y/n) asked the next evening. Nessa looked up from her magazine she was reading.
Vanessa began clapping her hands enthusiastically, “hot, hot, hot!” she began fanning herself. “He is going to die by just looking at you.”
“I don’t think I’d go that far.” (Y/n) laughed. “It’s almost 6. I’m so nervous.”
“Don’t be, you know he likes you” Vanessa reassured her. “Everything is going to work out. I promise.”
*****
“Where are my keys?” Nikki looked around his room for his car keys. “Vince!?”
“What man?” Vince called back from his room.
“You seen my keys?” Nikki had now gotten on the floor to look under his bed. “I can’t find them.”
“Didn’t Tommy take your car to get some gas for his bike?” Vince asked.
“He’s going to make me late for my date man!” Nikki sighed. “Tommy, you jackass! Where are my keys?!”
“I thought I hung them up dude.” Tommy looked at the key hook by the door. “Oh, don’t see them.”
“If I’m late for my date I’m going to hang you upside down by your toes!” Nikki growled.
“Here.” Mick said, tossing him his keys. “Found ‘em in the sink. Drummer’s an idiot.” Nikki snagged the keys and ran towards the door, stopping to take a look at the clock on the stove. It was after six at this point.
“Fuck!” Nikki smack Tommy on his way out and glared at him. “I’ll deal with you later!”
Rushing to his car, he sped towards (Y/n)’s dorm building. He cursed at Tommy for making him late hoping that (Y/n) wouldn’t think he stood her up.
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angrylizardjacket · 6 years ago
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Run to Paradise {Nikki Sixx} Part 14
14. you’re the only thing that’s making any sense to me
Chapter Summary: domestic moments, the band gets a record deal and everyone’s celebrating in the way they best know now
Warnings: nsfw big time but not full smut, drinking, drugs, had a breakdown from dan howell’s new video in the middle of writing this and i have work in 3 hours (it’s 6am) this goes a lot of places and also seemingly does nothing. please feedback?? highkey moments for all of lola/mc, and poly!lola is officially being established
ragtag bunch of misfits: @starlalove @obsessivesky @lovehelpmewrite@colsons-crue @marvelismylifffe @lilytalebi @glitterdreamsz @freddiessmallnipples @crazysaladchopshop @inthebackofmycarlaytheirbodies @dramatique-moi @missqueeniewrites @calspixie @aryssav @catsoo12 @sweetshutter @silvertonguedserpent @shamelessobsessions @lavenderbones22 @keepcalm-and-beyou @scarecrowmax @nicholeh7
{masterlist}
Lola's the one who organises the meeting for them, though she doesn't go; she's their assistant, but this is a band decision, and besides, she was covering a shift at the hotel and couldn't make it even if she'd wanted to.
Instead, she wakes at about noon to the sound her alarm, shoving Nikki where he grumbles about it, and climbs over him to shut off the alarm and start getting read. It's the fourth one she's had in as many months, since both she and Nikki have a habit of tossing it across the room in favour of getting up. She searches for the cleanest uniform she can manage amid the grubby chaos of their bedroom.
"Don't forget; meeting at the Rainbow after practice," she tells the still mostly asleep bassist, dropping  quick kiss on his cheek before she's carrying her pile of clothes to the bathroom.
"Vince!" She kicks at the door of the spare room where Vince has been staying since Beth had kicked him out of her place. Vince, who's got a marginally more coherent sleep schedule, pulls the door open, wearing sweat pants holding a copy of Rolling Stone that looked like it had been set alight at one point.
"Any particular reason you're out here screamin' your head off?" He asks, leaning against the doorframe, taking a moment to appreciate her soft, unguarded state in the midday light. Lola steps up to him, kissing him softly in greeting.
"You've got a meeting after rehearsals, it's at the Rainbow; don't let Nikki forget." Much softer this time, Lola reminds him about Elektra, and steps out of his space before he can wrap his arms around her like is often want to do. At his pout, she laughs, turning on her heel, "I've got work." Is her only explanation, but Vince just snickers and heads back to lounge on the bed until Nikki decided to wake up.
When she's done showering and dressed, Lola makes two calls; Mick and Tommy. If nothing else, she at least tries to earn her title of assistant. Her hair's up in a towel and she's got the kettle on when Mick answers. It's brief, and he thanks her for the reminder, lets her know he'll be around at four, and they hang up.
When she calls Tommy, his sister answers.
"Hey Athena, it's Lola, is Tommy awake?" Lola asks, voice kind, and the girl on the other end of the line covers the receiver before shouting the drummer's name through the house. After a beat, Lola can hear the faint mumbling of someone, not Tommy, probably a parent, scolding her. Athena then uncovers the receiver.
"He's on his way," she says, and sounds weirdly smug. There's a beat of time where Lola assumes Tommy's making his way to the phone, and Athena asks when the band will play somewhere she can go watch, somewhere she can actually meet Lola; "come on, he won't shut up about you, I mean you and the band but I've met the band-"
"Who is it?" Tommy's voice is faint over the other end of the line, and Lola can feel herself blush just a little at his sister's words.
"Lola~" Athena all but sings, and there's some sharp noises, line the phone's being roughly grabbed, and a muffled shout, like someone's got their hand over the receiver, probably Tommy as his voice is far closer as he tells Athena she's annoying. Lola can't help her grin through the whole altercation.
"Sorry about her," Tommy breathes once he's got the phone to his ear, "what's up?"
"Don't apologise for her, it's cute; do really talk about me and the band that much?"
"'Thena, you're dead," Tommy doesn't even bother to cover the receiver this time, though his voice is dampened like he's shouting over his shoulder. Lola just laughs.
"Don't worry about it, dude, I just called to remind you about practice, and your meeting tonight," Lola tells him, holding the phone between her ear and shoulder as she unwraps her hair from it's towel, throwing the towel over the arm of the sofa, leaning against the wall where the phone was connected.
"Oh hell yeah! Awesome!" Tommy's mood shifts immediate, and something tightens in Lola's chest to be able hear the smile in his voice. "Four, right? I'll be there."
"Well alright, babes, I gotta finish getting ready for work, good luck for tonight-"
"You're not gonna be there?" He actually sounded disappointed, and Lola couldn't help her fond smile. Though he couldn't see it, he could hear it when she spoke.
"I'm working a double, covering for one of my casuals," she paused, "but I finish at ten, if you're still around after that we can see who's playing; I think Sucker Puns is playing the Starwood." And he's agreeing quick, joyous and bright, quick to wish her a good afternoon, and then they're saying their goodbyes and hanging up. The kettle finishes boiling.
Lola's pouring milk into her coffee when Vince joins her in the kitchen, now changed into a white singlet and a pair of brightly coloured shorts, making a beeline for the fridge.
"Could you grab me the Easy Cheese while you're in there?" She asks, capping the milk and handing it over, pointedly ignoring Vince's look of disgust at the bottle of cheese he hands her, swapping it for the milk, which he puts away. Lola's already turned away from him, picking through the bread to find a slice without mold and throwing away the other two she had to go past to find it.
"How do you stand that shit? No cheese is actually that colour," Vince frowns as she sprays an upsetting amount of incredibly processed, orange cheese spread onto the single piece of bread.
"I don't know a lot about cheese," Lola starts, carefully folding the bread in half, taking a big bite and turning to Vince, leaning against the counter; he looks a little horrified, there's cheese almost leaking from the bread, "but I feel like, in my heart, you're wrong," Lola tells him, mouth full of bread and cheese sauce, "besides, it's my dad's favourite-" she took another bite, "so don't be a dick." Though that's mostly unintelligable.
After a long, drawn out pause, they both break out into laughter, Lola with a hand over her mouth to keep from spitting food, but she's quick to finish, and wash it down, gulping down half her coffee in one go.
"Your food habits fuckin' horrify me, you know that?" But Vince is smiling as he steps up to her, wrapping his arms around her where she's leaning against the counter, holding her coffee to her chest. "Nikki living off of hotdogs and whiskey and pills, I can deal with that shit, but you-" he shakes his head, laughing.
"Cheese is good, Vince," Lola fires back, taking another sip of coffee, before reaching back to put the cup on the bench, "and it's cheap; the less I spend on food, the more I can put towards booze and other stuff, you know." Vince's smile is exasperated but somehow endeared, and he reaches up to scratch at her scalp with one of his hands. Lola leans into it, watching him.
"You could be a millionaire and still be downing that plastic, orange shit like it was water," he snickers, though there's no malice behind it, and Lola gives him a gentle shove.
"You gonna kiss me or are you afraid it's gonna taste like cheese?"
He smirks at her like it's a challenge, leaning in and pressing a single, chaste kiss to her lips, something warm and surprisingly tender about it, but then his hands are ghosting down her sides until he's pushing her obnoxious work skirt up, hands on her thighs. By the time he's got his hands on her ass, he raises a single, questioning eyebrow at her. Lola steps her feet apart, never breaking eye contact, still smiling as Vince sinks to his knees. Lola's laugh is low and heady, tipping her head back, and she leans further back on her hands on the counter, all thoughts of the frivolous argument leaving her head.
"I don't have a lot of time, Vin."
"I don't need a lot of time," and she can feel him grinning at his own cockiness as he presses a kiss to the stretch marks along her inner thighs.
Moments like this with this, passing interactions, beats of domestic familiarity, are becoming a far more regular occurrence. Not just with Vince, who throws around casual contact like it's nothing - and hadn't that been strange at first, for the girl who was so used to keeping painfully discrete for fear of jealous girlfriends or groupies - but it's as if everything's shifted. Perhaps it's having someone around who didn't hesitate to reach out, to make contact even with other people around, that made Lola feel more comfortable reaching out to Nikki too. And, of course, Tommy. Even Mick, at times, though that was far more platonic, but he, at the very least, seemed to enjoy her company. He'd even taking to wrapping an arm around her shoulders when he wanted to discuss something about the setup or pack down; a vast improvement from the guy who didn't want her around to begin with.
Lola doesn't think about it too much, because if she does she starts to grin, blushy and unrestrained and completely against the image she's cultivated for herself. It's not really anything serious, they all still have lives, and they all still have groupies, in a manner of speaking, but it makes her happy in ways she can't quite articulate.
They're in her thoughts for her full nine hour shift. Every smoke break she takes she considers how long it would take to run to the Rainbow, but ultimately decides that it would ruin her look to show up in her work uniform. The casual she was covering for had been part of the housekeeping staff, and Lola hadn't been a housekeeper for so long, she forgets how much she hated it, and how disgusting people were, which was saying something considering who she lived with.
By eight, she's flagging and ready to head home, and by ten, she's really half-assing everything, though she knows she can get away with it. When she clocks out, she practically runs the six blocks home. It's not a short distance, but it's habit more than anything else, and when she drags the window open and climbs inside, remembering how Nikki had nailed the door shut after the last party had brought the cops and left the lock ineffective, Tommy's the only one there. He looks about ready to burst with excitement.
"Did it go-"
"They gave us a fucking record deal!" He yells, and Lola, not one to be underdone, matches his energy, actually screams, and practically launches herself at the drummer. Managing to wrap herself around him like a koala, he stumbles back from the force, glad for the sofa behind him as they both go crashing down.
"Fuck yeah! Hell yeah! Fuck yeah you got a record deal!" Lola's babbling, leaning back and taking Tommy's face in her hands where she's sitting in his lap. She's beaming, positively glowing with enthusiasm, and Tommy's right alongside her, tapping at her thighs, grinning up at her. "I'm so proud, I'm so fucking-" but she cuts herself off, can't help herself, kisses him hard, letting go of his face to fist her hands in the collar of his shirt, as if desperate to be as close as possible.
But then she's leaning back, eyes wide, mouth moving a mile a minute.
"I'm still in my uniform, fuck, I- where's the others? Are they out celebrating- lemme get changed-" She rattled off, a frown slowly creasing her forehead, and Tommy leaned back into the sofa, laughing.
"Oh, dude we are absolutely going and getting completely fuckin' blitzed tonight, but there's no rush; the guys are at the Starwood." He adds, and Lola takes a deep breath, taking the moment to calm down, to recenter herself. His hands are so steady and warm where they're resting atop her thighs, and he's grinning, because of course he is, because he's Tommy and he's busting at the seams with excitement at any given moment, but he can still reel it back to let Lola breath, and something about that makes Lola's heart warm.
"You're a fucking rockstar," she murmurs, leaning forward again, and something about how she's looking at him, the glint in her eyes and the way she wets her lips, Tommy never wants this moment to end.
"Yeah," he agrees quietly, "fuck, it doesn't feel real, you know?"
"No other band on The Strip works half as hard," Lola drags the nails of her left hand so gently up the side of his throat, to hold his jaw in one hand, and he leans into it, hums in agreement as she murmurs reverentially, before pressing a kiss to his jaw, "or deserves it half as much."
"Fuck, Lols-" he groans, his grip on her getting tighter, and Lola hums in acknowledgement, but presses a kiss to his throat, "fuck, you just-" but he cuts himself off, and Lola sits back a little, watching with confusion.
"I'm so proud of you, dude, I just- I want to show you, want to-"
And it's like a switch has been flipped in his mind, like he remembers the whole conversation they'd had just a few days ago, like he remembers that he's allowed to want her like this. He surges forwards and crushes his lips to hers, his fingers fumbling with the buttons of her work shirt.
It's awkward at first, fumbling with clothes, and quietly adoring laughter when Tommy grimaces at the state of the sofa, but then Lola's in her underwear, straddling his thighs, kissing him like it's her mission in life, and his hand moves between her legs, and they find a way to fit together. They find themselves a rhythm and it feels right.
They fuck on the sofa, and then again in the bedroom when Lola goes to get changed, and she lets him lead. She's tentative, doesn't want to go too hard or too rough, doesn't want to hold on too tight lest he run the moment she lets go. But his curses sound like prayers, and his nails sting so good where he's holding her hips, and she can't help herself. She scrapes her nails hard up his back, and the sensation has him shivering and groaning, arching into her, and she bites his shoulder to muffle her own moans.
Lola's not in her usual 'going out' attire, settling for a pair of jeans and t-shirt she'd picked up off the floor. As she goes to leave the apartment, however, Tommy, who's grinning like the Cheshire Cat and smelling like sweat and sex and hairspray, offer his hand. Tentatively, she takes it, not quite sure what was happening, and surprised when he doesn't let go. Hand in hand, they head to the Starwood. They both just chat excitedly about the record deal, they talk about what actually happened at the meeting, and not about what just happened, and not about whatever it is that was currently happening.
All three of the other band members, as well as a very awkward Tom Zutaut, were all at the bar, and all cheered when Lola and Tommy showed up. They dropped hands automatically, but neither seemed to mind. While Tommy ordered a drink, Lola made a beeline for Zutaut.
"You made the right choice," she told him with a sudden, unwavering seriousness. Zutaut smiled, but didn't seem nearly as intimidated as the first time he met her.
"I like to hope so," he laughed a little, "so how do you know these guys? Do you just work for them or were you friends- ?"
"I've lived with Nikki for years." She answers honestly, half smiling, and that seemed to unnerve him out more than anything else. The woman turned abruptly to face the bassist, who had discretely been watching the interaction, and her whole expression lit up.
"I heard a rumour that we're getting shitfaced tonight," Lola grins sharply, making her way to him, letting him wrap an arm around her, opening his leather jacket to indicate the bag of white powder tucked away from the public eyes.
"If I remember any of tonight that isn't me signin' a fuckin' record contract, I'm gonna be severely disappointed in myself." Nikki announced, and Lola laughs, and she rests her chin on his shoulder. She tells him she's proud, tells him she knows how much this means to him, but her voice is low, quiet enough that none of the others can hear, and honest enough that it makes Nikki's breath catch in his throat for a moment. When he turns, she's gazing at him with such love and adoration that is almost hurts.
He never wants her to stop looking at him like that.
And for just a beat, she a look of realisation passes over her face, and like she wants to say something- but she can't. She looks away.
The night is a blur of revelries, of booze and blow and pills and strippers, and Lola shuts up about how proud she is about half an hour in, by the time she's good and tipsy, but it's always there in the glint of her eyes, the curve of her smile.
Every so often she'll reach out, her fingers gentle where she holds Nikki's wrist, and the first time he'd frowned, asked if everything was okay, and she'd nodded, but hadn't let go for a few moments. It's strange and endearing to watch the way she interacts with the others, Nikki notes, because he's known Lola long enough to know when she was sleeping with someone on the regular. Something about this is... different.
Vince is loud and tactile, and Lola's grown comfortable tucking herself up beside him, his arm around her waist while they hold two different conversations with two different people, barely paying each other attention, just enjoying the contact. With Tommy it's - horrifying as the concept is - sweet. They share looks, share laughs, and occasionally, when they think no-one's looking, they'll steal a kiss and Lola will turn pink and Tommy will turn smug and it's weirdly endearing.
And with Nikki? She can read him like a book, but out of habit they're discrete. Standing or sitting close enough that they're shoulder to shoulder when there's so much extra space, or she'll take his wrist, or rest her hand on his for a few moments beneath a table. Or Lola will be the one to reach out, make moves that can be construed as platonic, and fill them with meaning that only the two of them are privy to.
Yes, the night is a blur, and he's pretty sure he's going to regret not remembering whatever he and Lola and that stripper got up to in the private room, but when he tumbles into bed, they're both too tired to do more than peel off their various layers of leather and jeans and fall into bed together, but when they're alone Lola's clingy, and they're both too fucked up to really hear Vince's date for the night through the walls, he's coming down enough to appreciate Lola's reverential tone, voice quiet and a little slurred, but so damn sincere when she tells him that she knows he's gonna go far, when she waxes poetic about the way he plays and writes. In the back of his mind he knows she's drunk and enthusiastic, and that maybe he should take what she says with a grain of salt, or that he could be hallucinating.
She's in that high, hyper focused state, the two of them laying facing one another, and she's gazing at him with a distracted smile like she's trying to commit his face in this moment to memory.
"You and me against the world," she murmurs, reaching out to gently hold his chin, as if to keep him in place, "it was always you and me against the world." It's followed by such a gentle laugh, and Nikki can't even begin to keep himself guarded from his own real emotions.
"When you get all big and take off, will you take me with you?"
He's not sure what she means but her voice has gone quiet, barely more than a whisper, her expression so raw, pleading almost, desperate for an answer. He doesn't even have to think about it, just wraps her up in his arms, pulls her close, tries to stave off her worries with the physical contact. She buries against him, warm and solid and so familiar.
"Of course, Lo, always."
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quarterfromcanon · 5 years ago
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2019 Fic Writing Roundup
I was tagged by my lovely friend @catty-words.
Total 2019 Word Count: 58,159
Total 2019 Hits: Asdfghjkl; Oh gosh, it’s much harder to tell when the work is only on Tumblr!  I’ll tally up the notes from there to get the closest approximation I can. It looks like there are 174 total (a mix of likes and comments) on the pieces that I posted from this past year.
Other 2019 AO3 Stats: N/A, although I did finally join AO3 *this* year, so next time around there’ll actually be things to put here! :)
Total 2018 Word Count: Published? None. I think I might have tried writing a little bit of something for myself somewhere in there, but I didn’t get back to any kind of public fandom writing until 2019.
Total 2018 Hits: None. What a difference a year can make! I look forward to comparing 2019 to whatever’s yet to come in 2020!
Other 2018 AO3 Stats: N/A
links and titles to 2019 works
Oooh, this is actually a good opportunity to list them chronologically rather than in publication sequence. Let me see if I can get them sorted. (If, however, you’d prefer to read them in the order that they were published, you can click here and simply open the installments in reverse, since Tumblr displays things oldest-to-newest.) All of the following were written for the Crazy Ex-Girlfriend fandom and feature Heather x Valencia as their central pairing.
1. Barrier  [1,385 words] - Following where we last saw them in 1.09, Josh and his friends continue their beach day now sans Rebecca’s presence. Consequently, Valencia’s critical eye falls on the only other woman in their company - Heather.
2. Unexpected [3,003 words] - The conclusion of 1.18 leaves Valencia with a lot of emotional baggage to unpack. As one of West Covina’s most frequented locales, Home Base is the first place that springs to mind where she might chase away her sorrows (or perhaps just air them out verbally while all other involved parties are away at Jayma’s wedding). Heather finds herself pulled into comfort and commiseration despite her efforts to avoid involvement.
3. Lost Control and Tumbled Overboard Gladly [3,265 words] - Heather goes to her parents’ home for the first holiday visit since moving out on her own. She has her new friend Valencia in tow. Sincere conversation and the rare allowance of vulnerability break down Heather’s walls with an ease that takes her by surprise.
4. Such Sweet Nothing [1,362 words] - Valencia and Heather return to V’s apartment after their Labor Day afternoon of story-swapping and quality time together. Valencia revels in the joyful acquirement of the second gal pal of her adult life. Heather contends with the dawning realization that her interest in Valencia may not be purely for friendship.
5. There’s A Reason Not to Want This (But I Forgot) [2,418 words] - Internet sleuthing with Rebecca pulls Valencia right back into a Josh fixation spiral. Heather must also face some unresolved feelings: namely, a crush now so intense it can no longer be denied.
6. Habits [3,599 words] - The desire to protect Valencia’s heart overrides the instinct to shield her own, and so Heather ends the self-imposed avoidance of her company. She arrives on V’s doorstep with a helpful cover story and some unfortunate news that needs to be broken gently.
7. I Want Not to Want Anything [1,314 words] - Heather Davis gets Santa Ana Winded.
8. Breathless [3,673 words] - A talk with Heather about Rebecca’s impending marriage to Josh leads Valencia to reassess what matters to her. A rosé-fueled jaunt to a local green space gives rise to the persistent inkling that what - or rather who - she really wants may be a lot closer to her than she’s ready to admit.
9. No One’s Really Got It Figured Out Just Yet [3,289 words] - Valencia throws the bachelorette party for Rebecca. Gurl Group antics and H+V flirting tactics set to hits from the mid ’90s and 2000s ensue. 
10. Evading [2,207 words] - In the wake of events from 3.05 and 3.06, Heather and Valencia have a much needed heart-to-heart. They put some important truths into words while treading lightly around a few unspoken facts so delicate they’re best left in the margins.
11. How Long Do You Plan to Keep Me at the Back of Your Mind? [2,442 words] - An evening welcoming Valencia’s girlfriend Beth to be an honorary member of the Gurl Group doesn’t go quite as smoothly as planned when Heather has a difficult time harnessing her lingering feelings.
12. You and Me, Always Between the Lines [1,828 words] - Now that she has spoken with all of her immediate family members and closest friends, Valencia is prepared to announce her first romantic relationship with a woman on social media. In Beth’s absence, she seeks the moral support of her best friend. Heather is readily by her side for this next big step in Valencia’s coming out journey.
13. Gradation [2,503 words] - Valencia’s time with Beth is at an end and, in her hour of heartbreak, she returns to the same place for comfort as the previous occasion when she found herself suddenly single: across the bar from Heather.
14. Rough Draft [2,625 words] - Valencia and Heather FINALLY get together. Valencia experiences her own “Oh My God, I Think I Like You” freak out.
15. Strategy [1,212 words] - Heather and Valencia have a stay-at-home date night featuring deliberately cringey pick up lines and tangled limbs on a couch in the dark.
16. Verity [3,834 words] - Heather temporarily resumes her role as Valencia’s assistant coordinator when they plan a vow renewal celebration for Paula and Scott. On this night, the recently remarried couple may not be the only two pouring out their hearts in a room full of loved ones...
17. Different and the Same [1,035 words] - Valencia and Heather just moved into their own place. They spend their first morning there together and make good use of the privacy and freedom this new residence affords.
18. Finishing Touches [1,157 words] - Heather and Valencia personalize the interior of their new living space. The situation soon devolves into paint-splattered hijinks.
19. Patterns in the Light [1,058 words] - Despite the fact that they are literally cohabitating and have professed their feelings for each other, Valencia remains a clumsily flirty nerd and I love her for it. Heather does, too.
20. Sage [1,324 words] - After being trapped in a car with someone she didn’t want to be trapped in a car with, Heather returns covered in a dead woman’s ashes. Valencia’s time as a ghost-beleaguered home energy cleanser has arrived at last. She is uniquely qualified to save the day.
21. Portage [1,707 words] - Heather has plans for a couple’s trip with Valencia. The only obstacle is keeping it a secret between the two of them.
22. The Courage and the Strength I Need [1,957 words] - Valencia struggles during Heather’s business trip because it is their first time apart since becoming a couple. They FaceTime to ease the pain of distance and talk about their future.
23. Wanna Be With You All Alone [1,237 words] - Heather comes back from the aforementioned work travel to find that Valencia has made special welcome home arrangements.
24. Midnight, Fright and Candlelight [1,426 words] - A quiet evening is interrupted by a power outage. Heather and Valencia find a surprisingly wholesome and G-rated way to pass the time. 
25. Next to You [1,550 words] - The big yearly Davis Family Reunion quickly approaches. Valencia prepares to accompany Heather to this event and be introduced to many members of her extended family.
26. Warm Whispers [1,683 words] - Heather and Valencia just want to be all cute and domestic and spend the morning fooling around. Their cats disrupt these pursuits in typical feline fashion.
27. “When We’re Together, Darling, Every Night Is Halloween.” [1,228 words] - Heather and Valencia get ready to attend a Gurl Group Halloween party. Their second annual couple’s costume? Gomez and Morticia Addams. 
28. #afewofmyfavoritethings [2,838 words] - Nathaniel, Rebecca, Valencia, Heather, Paula, Scott, and Tommy all rent a cabin for vacation. This piece follows them through a day of wintertime fun. Pure fluffiness here and I had the best time writing every second of it.
Favorite Fic: Probably #afewofmyfavoritethings. I packed it with elements I personally love and moments I was hoping my new friends in the fandom would like. Plus, it was honestly just so good for my soul to write these characters in a soft world where they could engage in classic snow day activities and enjoy each other’s company.
Hardest Fic: I knew there were a few installments of Femslash February where I wrote whole paragraphs or even pages I didn’t keep/decided to revise, but I was pretty sure I also remembered at least one where I wrote an entire separate piece. My sleep schedule was, shall we say, not advisable during February but it was also easily the most exhilarating month of my year. I tracked down the evidence of that rewrite and it turns out the incident I recalled was for Unusual Kiss (the prompt for Day 4 of FF). The original involved something to do with butterfly kisses because, evidently, my inclination to link Valencia to winged beings knows no bounds. I’ve got to admit that I’m still fond of the concept of Valencia giving Heather a subtle “kiss” during a hug in that painfully frightening time before Beth when she was afraid to outright kiss a woman in any way that couldn’t be dismissed as platonic. There’s a good chance an interaction of that nature could appear somewhere in the full story. I am notoriously drawn to that angst period of undisclosed pining so the temptation is quite strong. Still, I’m glad I used the version I actually posted and saved elements of the first draft for later. Fragments of their conversation from the original will probably make it into the final tale, but I think I prefer to sprinkle them across several exchanges instead of divulging them all at once.
Do You Plan to Take Prompts in 2020? Sort of yes and sort of no. I am participating in the Crazy Ex-Girlfriend Valentine Exchange, which involves a prompt-esque note from the participant each of us were assigned as our guide to spark inspiration for the gift. It’s also possible that there’ll be some writing prompt list posted somewhere along the way just like Femslash February was last year, and I’ll end up wanting to join the fun. Other than that, though, I’ll mainly stick to the one writing project in an effort to hone my focus.
What was the best thing about 2019? I’d definitely say the bonding and interactions with other members of the fandom. The encouragement and support I received from them remains the primary motivation for me to keep writing and chasing after the ongoing goals I set for myself.
What was the worst thing about 2019? The most honest answer that my mind immediately supplied is death of a close relative. While that isn’t the sole reason for the dip in my creative output (especially since there were multiple months between my last published fic and the passing in question), I know it could certainly be counted among the contributing factors to an overarching writing problem I had. Even before my family’s loss, there was a shift in my thought process that only got worse once there was more on my plate in my personal life. There were many times I sat down wanting to write again but it felt too difficult and intimidating to commit words to the page. I couldn’t seem to transfer them from my mind to the keyboard and I’d invariably switch to doing something else. I developed this terrible internal conviction that insisted the larger fic I wanted to write wouldn’t work as well as the shorter installments. That gnawing insecurity would have me believe one month’s worth of well-received efforts was already such a marvel that anything beyond that point was somehow pushing my luck. Where did the mental voice originate and why couldn’t I shake it? It’s difficult to parse out but what I do know is that I’ve firmly decided 2020 is going to be a year I put it on silent. I know what it’ll mean to me for everything that’s been floating in my head to finally be told in one cohesive format, and to have the satisfaction of giving my favorite characters the ending my heart says they deserve. It’s a sense of closure that’s worth the pursuit.
Any last thoughts for 2019? The bad parts of the last twelve months made me want to essentially say “good riddance” to the year, but the good parts were far too treasured to wish all of 2019 away. I am so grateful for the new people I met and friendships that solidified during that time. I especially owe my most heartfelt appreciation to @catty-words, @notbang, and @monaiargancoconutsoy. Thank you for everything. <3
Goals for 2020
Finish. The. Fic.
I believe everyone I know who writes fanfic has already been tagged but, if you haven’t gotten the chance to look back over your writing year, by all means, use these questions to give it a go! :)
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jbuffyangel · 6 years ago
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Undeserved Forgiveness: Arrow 7x18 Review (Lost Canary)
After seven years and 150 episodes (yes, I math’d it) Arrow has finally paid off a L*urel L*ance storyline in a way that makes sense and feels earned.
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Let’s dig in…
Olicity
Sometimes the Arrow writers are so obtuse about their audience it boggles my mind. Then there are other times when they are so self aware I can’t help but laugh. “Lost Canary” is one of those self aware moment. It’s almost as if the writers said to themselves, “Okay. This episode is gonna be a lot about birds so we better give the audience some Olicity goodies to keep them happy.”
Smart move.
Arrow has to ship the boys off somewhere in order to have their all girls episode. Rene is off with Zoe on a school field trip while Oliver and Diggle try to find the person who killed Emiko’s mother, so they can convince her not to be evil. Or something? I think? It boils down to a interrogation of a Longbow Hunter. Yeah, remember the Longbow Hunters? Who knew they were still a thing? Not me. 
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It’s kind of fantastic all the guys are stuck with monumentally crappy storylines while the ladies have their moment in the sun. Ah the gloriousness of reversing gender roles.
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Anywho, Oliver is going to leave Felicity which means WE GET WORRIED DADDY! 
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Oliver begs Felicity to take it easy. 
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Pffft, it’s like he’s never watched Arrow before. Dude, know your genre. 
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Felicity promises she’s going Netflix and chill. Oh girl, you totes just jinxed it.
And then it happens. Oliver rubs his stomach and says...
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Source: olicitygifs 
April 15, 2019 will hence forth be known as Precious Cargo Day in the Olicity fandom. We shall drink and sing in merriment while binge watching Olicity moments in celebration of this blessed day. For this is the day fan fiction came to life.
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We’re five minutes and twelve seconds into this episode and I already think it’s fantastic.
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After Oliver returns from his Longbow Hunter thing (Seriously don’t ask me what happened)
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and Felicity returns from saving a soul and giving Earth 2 a hero to fight for them, our wonderfully stable and unproblematic married couple cuddle on the couch. Honestly, I don’t understand why Olicity snuggling and watching Netflix isn’t a hit show? It’s Emmy award winning entertainment. 
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Source: olicitygifs 
Felicity was away from Oliver for a day and she practically ran into her husband’s arms, so I really don’t know how homegirl is gonna do twenty years without him. It hurts to think about, so let’s focus on the happy. 
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Source: olicitygifs 
Oliver wants to order whatever Felicity is craving because he’s determined to be fictional perfection so no one can have realistic expectations of non fictional men. Felicity informs him L*urel is going back to Earth 2. He doesn’t care. I cannot describe to you how much Oliver Queen doesn’t care about any version of L*urel L*ance. 
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Once again I reflect upon the road we have traveled my friends. I don’t know how we got here, but our destination is glorious.
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Worried Daddy is far more concerned that Felicity didn’t take it easy as she promised, but no worries the Green Arrow is here! 
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Oliver promises to take care of Felicity and then promptly falls asleep on her shoulder because he’s so exhausted. 
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Yup, that pretty much sums up the first trimester right there. You’re pregnant but you’re husband is the exhausted one.
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She finagles a foot rub out of half asleep Oliver and they both collapse. MAX DOMESTICITY ACHIEVED. 
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Source: olicitygifs
Honestly, the show could have ended right here. I’d be thrilled.
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Felicity Smoak and Canary Corp.
Yes, that’s the official title of the episode. Don’t @ me. Arrow has tried this Birds of Prey thing before. Remember Helena, L*urel and Sara in Season 2? Yeah, neither do I and why? BECAUSE IT DIDN’T HAVE FELICITY IN IT. Too bitter? 
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The Felicity Smoak/Oracle similarities were not lost on the Arrow writers and it’s clear they tried to adopt the moniker for our girl’s codename, but were shot down by the DC brass. Overwatch it is then and, as usual when it comes to Felicity Smoak and Emily Bett Rickards, she has made it her own.
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This is Emily’s last season and therefore Arrow’s last chance to do a Birds of Prey themed episode with Felicity Smoak at the helm. Boy, they did not waste the opportunity. Thank goodness too because that would have been a real bummer. 
“Lost Canary” is full on girl power. Arrow has many female characters, but the storylines are dominated by the men. It’s not a shocker. The main character is male. The writing staff I believe has been male dominated until a shake up this season. That’s not to say the male writers haven’t crafted a fantastic show with some amazing female characters – Felicity Smoak being at the top of the list. However, this show is long over due for the spotlight to shine on the female characters, actresses and writers.  
Representation means hearing the voices of the marginalized, but “Lost Canary” is not simply Arrow ticking a box. Nor did the writers pad the episode with trite and insulting dialogue like...
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(I will forever side eye The Flush for that one.) 
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No, “Lost Canary” is steeped in big life questions as it addresses the season theme of redemption head on. Each character has her own perspective on Bl*ck S*ren and redemption as a whole. Each character is given ample screen time to voice her perspective as the women debate the best way to handle Bl*ck S*ren’s recent downward spiral… or perhaps it’s a stagnant upward spiral. The point is the women are written like the multi faceted characters they are. WOULD WONDERS EVER CEASE?
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Let the redemption debate commence.
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Source: dcmultiverse 
Bl*ck S*ren is back in the evil business. See, you can tell because of the all leather, black lipstick, cloak, tacky techno music and the sashay walk KC ripped off from Nina Dobrev. 
Exhibit A:
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Exhibit B:
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This is what I like to call an “Everything but the kitchen sink” visual trope. Oh hell, the kitchen sink was there too.
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Bl*ck S*ren chucks the three piece power suits, with the shoulder pads that can fly her to Hong Kong, in favor of a more diabolical ensemble to convey her inner turmoil. The subtext is pretty much text. Arrow hammering away at it should be a monumentally huge tip off for where Bl*ck S*ren’s character is going.  
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The surprise isn’t so much where Arrow is going with this character, but rather in how they get there.
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Admittedly, I struggled with E1 L*urel L*ance. I couldn’t stand her romance with Oliver, couldn’t keep up with her flip flopping personality, grew tired of her blaming everyone but herself, couldn’t forgive her for Tommy, hated her disdainful treatment of Felicity, and found her to be a insufferable pain in the ass, which she compounded by becoming a drunken, insufferable pain in the ass. 
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Whew. Season 1 and Season 2 were rough.
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I had one bright and shining hope for this character – her Bl*ck C*nary storyline. It was a colossal disappointment. 
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Not even my deep love for the Lance sisters could save my investment in L*urel and I was overjoyed when Arrow killed her. It remains one of the best creative decisions this show ever made.
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Regardless of the reasons for KC’s return (and there are reasons my friends), the writers smartly chose not to resurrect L*urel. 
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No need to bring back that mess. Instead, they started over with some doppelganger hijinks and crafted Evil L*urel aka Bl*ck S*ren from Earth 2. 
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It turns out Evil L*urel is a hell of a lot more fun than Saint L*urel. The character plays to KC’s acting strengths and she didn’t impede on Dinah Drake’s storyline as Bl*ck C*nary. Well, not much.
But the dramatic linchpin in Bl*ck S*ren’s character is that she’s not L*urel.  Yes, she looks and sounds like the L*urel L*ance Team Arrow loved and lost, but no amount of time would ever make this woman into a replica of the one who died. This is a good thing because the woman Oliver Queen dedicated that ridiculous statue to was a hindrance to the story.
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L*urel’s Season 6 arc was infuriating primarily because they reduced a meta human to a helpless victim. The writers shredded Quentin Lance’s character as he pursued his deeply unhealthy obsession with resurrecting his dead daughter through an entirely different human being. Let us never speak of it again.
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Season 7 is a vast improvement. The good/evil push/pull remains the dramatic well the writers drink from, but instead of cramming old L*urel down Bl*ck S*ren’s throat they allowed her character to breathe. The fact she was different from L*urel is what made her interesting. Arrow didn’t run from it. They embraced it. And they paired her with an unlikely partner.
Felicity Smoak.
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Bl*ck S*ren’s willingness to cross lines, including murder, was a necessary evil because Felicity’s husband was trapped inside the system. She needed help from someone with access and who wouldn’t be afraid to go over the line to get the job done. Suddenly, being evil doppelganger playing pretend lawyer was massive pro. 
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Bl*ck S*ren’s a sardonic wit and glowering demeanor made the perfect straight woman to Felicity Smoak’s ball of sunshine. 
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Except, Felicity wasn’t a ball of sunshine and more often than not L*urel was stopping her from going too far.  
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The two women worked in tandem as they questioned their morality and what defines good and evil. The ebb and flow of light and dark allowed Felicity and L*urel to see each other differently. 
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This sparked understanding, respect and finally compassion.  Their interactions felt more honest than anything that transpired between E1 L*urel and Felicity and as a result their friendship was more believable.
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I’ve enjoyed the good/evil/push/pull dynamic that’s made up the majority of Bl*ck S*ren’s arc this season because it was fairly even handed. When L*urel tipped too far in one direction they would shift her the other way. Every time L*urel helped Felicity with Oliver’s case or pulled her back from the ledge, she would follow it up with almost murdering someone. 
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Bl*ck S*ren’s instinct in almost any given scenario was to kill first and ask questions later. It flew in the face of the straight laced, law abiding DA image she cultivated by stealing E1 L*urel L*ance’s identity. The writers did this deliberately because everything that made Bl*ck S*ren “evil” is still there even as she tried emulating Quentin Lance’s dearly departed L*urel.
But eventually the writers need to pick a lane. Arrow has two choices – keep Bl*ck S*ren evil or redeem her.  It’s kind of a like a love triangle. You can play with the back and forth for awhile, but eventually the writers need to make a decision. Otherwise the story loses any emotional authenticity.
The real shock of “Lost Canary” is how the writers present both sides of the argument. It’s so fair and logical. A L*urel L*ance centric episode is making sense. Talk about feeling like a fish out of water.
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Dinah and Felicity are diametrically opposed when it comes to who Bl*ck S*ren is and if she can be redeemed.  The argument boils down to nature versus nurture, but how Felicity and Dinah arrive at their individual conclusion fits not only within the scope of their own storylines, but within L*urel’s as well.
Dinah is nature.  She firmly believes L*urel is an irredeemable killer and all efforts to save her are for naught because a killer is who she is. Dinah issues a warrant for L*urel’s arrest and believes she killed Diaz. I’ve been loudly advocating for some jail time for L*urel, but I didn’t really expect Arrow to go there. I’m not that lucky. A warrant for her arrest and L*urel on the run is close enough. 
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It’s understandable why Dinah believes Bl*ck S*ren is a lost cause. She witnessed her boyfriend’s murder at L*urel’s hand and a tearful apology doesn’t erase what happened. 
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Dinah has also been there any time L*urel has decided to murder someone, typically out of frustration, anger or to protect her own self interests.  She would pull L*urel back from the ledge, but it’s difficult for her to believe BS was ever on the wagon when she so frequently fell off it.
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Dinah is not wrong. L*urel is a murderer. Murder is L*urel’s default position whenever the going is rough, which is exactly what is happening now. Yes, L*urel is wrongly accused of murder, but let us not forget all the murders she did commit and has yet to pay for.  Dinah didn’t love Bl*ck S*ren’s approach when it came to interrogating criminals, but the answer to these problems is not a crime spree.
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Felicity is nurture. In the beginning, Felicity did not see Bl*ck S*ren as anything but criminal pretending to be her dead friend. She emotionally manipulated people and was reaping all the benefits of E1 L*urel’s life. 
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But the hubby was in the slammer and Felicity needed a lawyer, fake or real it didn’t matter. Desperate times call for desperate measures. L*urel was one of the only people to have Felicity’s back and their partnership grew into real friendship.  Felicity has been the beneficiary of L*urel’s kindness and love, so she knows without a doubt there is good but it needs to be encouraged.
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Felicity is so ardent in her belief that she bizarrely blames herself for L*urel’s crime spree because she wasn’t a good enough friend. 
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Let’s just pretend that’s true for a second (even though it’s not). The max penalty Felicity could incur would be paying for drinks some night. But L*urel tries to blow up Felicity and HER BABY.  I feel safe categorizing that as an insane overreaction.
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The truth is Felicity has been an amazing friend to L*urel and she continues to be throughout the episode. She proves to Dinah that L*urel has been framed by Emiko for Diaz’s murder. Felicity offers L*urel her support even after she goes on a crime spree.
L*urel: Oliver’s sister did me a favor because I was really sick and tired of pretending to be someone I’m not. Plus, no one believed it any way.
Felicity: I did! Look, what happened to you wasn’t fair. You were accused of murder, you lost your job, Dinah didn’t have your back I get it. You got a bucket load of bad news, but you are not Bl*ck S*ren. Not anymore.
L*urel: That’s funny I used to believe that too.
Felicity: Think of the good you’ve done L*urel. Think of honoring Quentin!
L*urel: Quentin is dead. Nobody cares about Quentin. He only wanted his daughter back.
Felicity: That is not true.
Well… far be it from me to disagree with my Queen but it is kind of true. This is a wonderfully impassioned speech even if I don’t agree with all of Felicity’s arguments. Sadly L*urel pretty much spits in Felicity’s face and is generally undeserving of all this support and understanding.
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Felicity and Dinah have it out after L*urel tries to blow them up. Felicity continues to blame herself for this Bl*ck S*ren spiral whereas Dinah is firmly entrenched in the “Bl*ck S*ren Is a Murderer” camp.  Felicity calls Dinah out on her hypocrisy when she boasts in a fit of moral superiority that she could have gone down the same road as L*urel, but didn’t. 
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Felicity accurately points out that the reason Dinah didn’t go down the same road was because she had the team. Dinah had friends who loved and supported her even when she didn’t deserve it.
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Felicity ain’t wrong! I forgot Dinah is a murderer too. Yes, there is a big difference between murdering bad people versus murdering good people, but it doesn’t change the fact that Dinah has also taken lives. 
While we’re on the subject on Vinnie, she also lied to the team about her relationship with him 
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and went on a crazy revenge bender after Bl*ck S*ren murdered him. 
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Dinah was in the Newbie tantrum up to her elbows, which included assaulting OTA when they refused to hand over Bl*ck S*ren.
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Dinah was forgiven for all of these transgressions and welcomed back to the team with open arms without even apologizing. Now she’s the captain of the police force and a deputized vigilante. All of which would have never happened without Oliver Queen and Team Arrow. 
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Dinah was forgiven when she didn’t deserve it. 
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It was the second chance she needed to become someone who is deserving of that forgiveness. 
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(We can argue the semantics of whether or not Dinah really has become someone worthy of Oliver and Felicity’s love and trust another day. For the sake of this episode let’s just roll with it.)
Dinah continues to argue that even if all of that is true (WHICH IT IS HONEYCAKES) it doesn’t apply to L*urel because she doesn’t want a second chance. She never did. Felicity pushes back once again and argues the opposite. She thinks L*urel wants a second chance more than anyone else and didn’t realize it until it was already gone.
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WOW. What a scene. It’s so invigorating to see two female characters argue passionately about something that has nothing to do with a man. This debate is about friendship, faith and forgiveness. It’s about the true meaning of redemption, who deserves it, and who decides who deserves it. Felicity and Dinah are arguing about their fundamental beliefs and challenging one another’s morality.
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Source:  hollandrooden
Dinah gave L*urel a chance and she blew it, so enough is enough. Felicity feels L*urel was succeeding at that second chance until she was wrongly accused. Sometimes people need several chances to get it right. I completely understand both Dinah and Felicity’s positions, which is how you know it’s a great storyline. If you can see both sides of the coin then the writers are mining drama with serious depth.
Both women are right and both are wrong. We’ve been exploring Bl*ck S*ren’s redemption since Season 5, but “Lost Canary” feels like the first honest conversation being had about it. I understand Dinah’s frustration because they are my frustrations. 
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I do not believe throwing on a three piece suit, playing lawyer, living someone else’s life and enjoying all the benefits someone else earned qualifies as redemption. Pretending to be E1 L*urel L*ance has protected Bl*ck S*ren from facing justice for any of her crimes. While I appreciate she’s helped put criminals away, freed Oliver Queen, and is a good friend to Felicity Smoak, it does not even out the cosmic scales when compared to the evil she has committed.
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Bl*ck S*ren is a murderer. She was coddled by Quentin Lance because she looks like his dead daughter. Felicity reaches out again and again and Bl*ck S*ren continually rejects her love, support and forgiveness. I’ve watched Bl*ck S*ren time and again head out to murder someone as a solution to whatever problem she’s trying to solve. I’ve watched both Dinah and Felicity stop L*urel from committing those murders. 
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L*urel stopped because she was caught – not because she thinks murder is wrong. She doesn’t express remorse for wanting to kill someone either. She typically has a snippy remark for Dinah and Felicity as she slinks away from the scene of her premeditated murder.
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Unfortunately, the writers are treating Bl*ck S*ren’s penchant to murder the same as E1 L*urel’s alcoholism. Felicity and Dinah tell Bl*ck S*ren to put down the drink and convince her to stay on the wagon. But we aren’t talking about booze. Bl*ck S*ren’s addiction is killing people. NOT. THE. SAME. THING. I get it, Dinah. Trust me.
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Then there’s Felicity Smoak. She sees the best in Bl*ck S*ren even when she’s at her worst. Primarily because Bl*ck S*ren saw Felicity at her worst and pulled her back from the brink. 
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Felicity is not a killer because Bl*ck S*ren offered her hope.  So, it’s understandable why Felicity refuses to abandon her friend especially now.
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But that’s not all of it. Sure, BS was a good friend to Felicity, but that’s not why she is standing by her. The truth is Felicity Smoak is a really good person. She is intensely compassionate, loyal and supportive. Felicity sees the best in people and her ability to pull that light from those she loves is unparalleled. Nearly every character in the Arrowverse has benefited from Felicity’s steadfast encouragement.
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I know this aspect of the character often frustrates some people. Some believe Felicity is used to prop up other characters. Her character suffers because she’s constantly launching another superhero. 
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The fastest way to cultivate a positive fan response to a new character is to filter that character through Felicity Smoak. She represents the audience opinions more often than not. Her popularity has a way of spilling over to problematic characters and it casts them in a more positive light. I don’t deny Arrow employs this practice often.
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But I never saw it as a negative. Felicity is the believer. It’s what I love most about her.  Diggle is the mind (moral compass) and Oliver is the soul, but Felicity is the heart. She is the hero of heroes.
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L*urel L*ance was a wildly problematic character. The writers never quite knew what to do with her and they could never really settle on a personality with a defined set of characteristics. 
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We never knew what version of L*urel we were going to get week to week. 
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The writers struggled with her even more after rerouting the central romance away from Laurel to Felicity.  Her storylines never seemed to get the necessary focus they required even though it felt like we spent an inordinate amount of time on L*urel. Watching Arrow develop her character was a lot like running in place, as @callistawolf​ once said.
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Her messy history with Oliver also seemed to be the elephant in the room when it came to any friendship with Felicity. There’s never any discussion around the events of the Season 2 finale. Felicity wondered if Oliver’s “I love you” was real and I’m sure L*urel had some questions too.  
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Did she think it was all a ruse to save her life or did she simply accept that Oliver was really in love with Felicity? It seems like the latter although it’s never actually addressed. If there was any confusion on L*urel’s part I guess 3x01 cleared it up because the only thing on Oliver’s mind was Felicity Megan Smoak.
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Arrow likes to pretend L*uriver never happened and it is completely understandable. It’s a bad dream we’d all like to forget, 
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but L*urel’s central connection to the team remained an ex boyfriend she didn’t like very much. I appreciate the show wanting to define a relationship between Felicity and L*urel outside of Oliver, but ignoring L*urel’s romantic history with him didn’t feel very honest.
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Perhaps their friendship would have been more believable if the writers set aside time for L*urel and Felicity to bond outside of Team Arrow, but they didn’t. L*urel just shows up in the foundry and starts barking orders. 
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Even Felicity questioned their relationship status. Girl, same. They had moments of kindness, but we never saw them work as partners or enjoy each other as friends like Felicity and Bl*ck S*ren. 
In fact, one of the most common arguments against L*urel being in the grave was that Felicity would never be that upset because she wasn’t that close to L*urel. HA! A lot of L*urel’s character was built upon telling rather than showing and her friendship with Felicity is one of the many areas the writers made that very frequent mistake.
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The writers did not make that same mistake with Bl*ck S*ren. They gave her friendship with Felicity time to develop. They started off as enemies, but as circumstances evolved so did their relationship. 
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Bizarrely, this is why Bl*ck S*ren’s and Felicity’s friendship feels more honest and earned than anything Felicity had with E1 L*urel L*ance. Bl*ck S*ren’s connection to Team Arrow is through Felicity. She has absolutely nothing to do with Oliver Queen and IT’S FANTASTIC. 
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The writers tried to connect L*urel through Oliver for four years, but he was never the solution. Felicity is.
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Felicity is the solution because she has a big bandwidth when it comes to forgiveness. No one has benefited more from it than Oliver Queen. Murder isn’t a deal breaker for Felicity. She fell in love with Oliver when he was dropping bodies. She barely blinked at Sara’s assassin history. Diggle murdered his own brother and I don’t think Felicity even commented on it. Remember when Roy thought he killed Sara? Who did he tell first? Felicity. She was freaked but calm. Dinah was a murderer and Felicity welcomed her onto the team with open arms. Rene pulled a gun on her and it was totally cool. I mean, sweet mother of Moses she was friends with Curtis Holt and tolerated his mansplaining and misogynistic bullshit, which says it all. 
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So is it really a shock Felicity is ride or die when it comes to Bl*ck S*ren? No. I identify with Dinah’s frustrations, but recognize Felicity is on the higher road. Simply put, Felicity Smoak is a better person than me. The belief she is giving Bl*ck S*ren is no different than the belief she gave to Oliver or Sara.  
So, she’s challenging me as well. I cannot cheer Felicity on when she offers unconditional love to Oliver or Sara or John, but admonish her when she offers the same to L*urel L*ance. Sara was an assassin and I didn’t demand a prison sentence for her.
That said, I see one massive difference between Bl*ck S*ren and Oliver Queen. Oliver was remorseful about his past and crippled with guilt. He didn’t need additional punishment because he was already punishing himself enough. Oliver also spent five years in hell, lost nearly everyone he’s ever loved and is constantly sacrificing his happiness for the greater good. 
His redemptive journey is wildly different from Bl*ck S*ren’s. Oliver didn’t get to just toss on a nice suit and call it a day. And he killed bad people!!! So, I maybe I can’t hold Bl*ck S*ren to a higher standard than other characters I love, but I can damn well hold her to the same standard. 
So, is L*urel remorseful?
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We don’t have to pick between Felicity and Dinah because it is possible to hold L*urel accountable and be compassionate. This is where Sara comes in.
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Source: canarygifs
I have been incredibly frustrated with how Arrow has used Sara in the past when she’s come back as a guest star. I’m still ticked she didn’t get a goodbye scene with Quentin. The Sara I know on Legends isn’t always the same on Arrow, but “Lost Canary” is different. The writers give Sara her due and she reflects on her journey in a way she’s been allowed to before.
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Everyone knows I’m a huge Lance sisters fan. The one saving grace in L*urel’s Season 2 storyline was when it stopped being about her relationship with Oliver and she began to focus on repairing her relationship with Sara. 
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I bought into the Bl*ck C*nary storyline in Season 3 because I believed Sara’s death was a life altering catalytic event for L*urel.  “The Calm” remains my favorite L*urel L*ance episode and I will always believe Sara is her great love and vice versus. We all need something or someone to live for and that love doesn’t always have to be romantic in nature.
So, Sara coming back to town to protect her sister’s good name and offer some wisdom to Bl*ck S*ren made a lot of sense to me. Sara is the one who pieces together that maybe failing to kill Felicity and Dinah wasn’t a mistake after all. She uses her sisterly intuition and finds Bl*ck S*ren at Quentin’s grave.
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Source: canarygifs 
Sara gives it to L*urel straight in an EPIC speech. She owns all her past mistakes. Sara cheated with her sister’s boyfriend, let her family believe she was dead and then became an assassin. 
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Yuuuup. Sara Lance history sure is colorful! Each one of these errors in judgment is an unforgivable offense. And yet, L*urel found a way to forgive Sara. Well, after she blamed her for absolutely everything that went wrong in her and boozed her way through the liquor cabinet, but let’s not get bogged down in the details.
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This remains my favorite Lance sister scene of all time because L*urel does not go to Sara offering forgiveness. No, L*urel comes to Sara begging for forgiveness. Despite everything she’d done and everything she suffered, Sara survived whereas L*urel was crippled by her pain. These two women found their way out of the dark together. Sara’s forgiveness put L*urel on a path to sobriety. L*urel’s forgiveness put Sara on a path to heroism. Neither of them truly deserved forgiveness for what they had done, but that’s not the point of forgiveness is it?
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It was L*urel’s love, not Oliver’s that gave Sara the second chance she needed. Maybe Sara didn’t deserve forgiveness when L*urel gave it, but it sparked the beginning of her journey towards someone who did.  Sara is the Original Canary, the captain of a time traveling superhero squad and the one and ONLY White Canary. She offers the wisdom of her life experience to help Bl*ck S*ren.
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Source: canarygifs 
 She also calls Bl*ck S*ren out on her bullshit. She tried to be a hero for six months. TRYING? SIX MONTHS? She thinks that evens the score for years and years of mayhem, theft and murder? 
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We’re supposed to feel sorry for BS after she’s spent six months living in a comfortable apartment and getting paid well to do a job she didn’t earn.
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Great, she helped Oliver out of prison. She also tried to kill him multiple times, so they aren’t exactly equal yet. When Sara tried to quit the murder business a lethal team of assassins came after her and she had to commit suicide to get them to leave her alone. But L*urel knows the horror of the Balmain double breasted, wool blend jacket. Poor baby.
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I forgot she was accused of working with Diaz and lost her job. Yeah, except she did work with Diaz and SHE IS NOT A LAWYER SO SHE SHOULD LOSE HER JOB. 
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Then there’s being falsely accused of Diaz’s murder. Hmmm… who killed Vinnie again? L*urel being falsely accused of ONE murder compared to the multiple homicides she has committed and has yet to pay for in any real or substantial way does not equate. Yet, here she is with a stick up her ass and expecting everyone to feel sorry for her. You know, I take it back. She really is like E1 L*urel sometimes.
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Sara explains what real redemption is and it is my favorite line of the episode.
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Source: canarygifs
She’s right. Redemption is not a light switch that can be flipped on. L*urel can’t do a couple nice things and say, “TA DA! I AM REDEEMED!” It’s not how it works. There’s no endgame here. This is something L*urel needs work at for the rest of her life. She needs to fight every day to be a person worthy of forgiveness. When L*urel falls down, or life doesn’t go her way, she can’t throw an evil temper tantrum.
A real hero isn’t looking for a reward. A real hero doesn’t look for someone else to blame. A real hero doesn’t keep score. A real hero sacrifices and fights the good fight because it is the right thing to do. Does Bl*ck S*ren qualify? 
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No. She is not a hero yet. She is undeserving of the love, compassion and forgiveness Sara and Felicity are offering her.
But we all are undeserving of forgiveness. We are all broken in some way. We all do or say hurtful things. Each of us will either do something unforgivable or feel like we’ve done something unforgivable. What makes the difference in our life is having someone who loves us despite our sins. 
We can see the people who have been loved when they are unlovable and those who have not when we look at the landscape of humanity. Sometimes we need a push in the right direction when we are at a crossroads, but not all of us have someone in our life who loves us enough to give one. The ones who do are blessed.
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Bl*ck S*ren’s sins are deeply evil. She has dug herself a very large, dark hole. L*urel stopped Felicity from falling down the same hole because she knows there’s nothing but pain, emptiness and loneliness at the bottom. She knows how to stop someone from falling in, but L*urel does not know how to climb out. Bl*ck S*ren is stuck in a self destructive cycle. Felicity fundamentally believes every human being is redeemable if they want redemption, but some need more of a push than others.
The truth is we all need help out of the darkness. We all need someone to love us unconditionally. We all need someone reach down into the hole and offer a hand. But our redemption remains in our hands. It’s not enough for someone to reach out. We have to reach back.
All the evil hijinks boil down to a faceoff with Bl*ck S*ren and Felicity.  Felicity tells BS one last time  she believes in her, but ultimately it’s not about what she believes. It’s not about L*urel L*ance’s legacy or who Quentin wanted BS to be. This is about who Bl*ck S*ren wants to be. Free will my friends. It is a bitch.
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COME ON! Nobody is killing Felicity Smoak least of all Bl*ck S*ren. L*urel is picking out china patterns in her head, so she ain’t killin’ bae. She joins Felicity and the rest of the birds and together they defeat the villain of the week. Sorry I really didn’t pay much attention to the partner.
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Source: smoaktechs 
In their victory celebration, Dinah decides not to arrest Bl*ck S*ren and even comes up with a get out of jail free card excuse aka “working undercover.” A relieved Felicity tells L*urel that everything can go back to normal.
But L*urel disagrees. It is time to stop running. It is time to stop pretending to be someone she’s not. It’s time to go back to Earth 2. She has to made amends in the place where she created so much pain. I. AM. SCREAMING!!!!!!!!!!!!!!!!!!!!!!!!!
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No, it’s not a stint in the pokey, but I WILL TAKE IT. Going back to Earth 2 is the next best thing. It addresses my primary problem with L*urel’s redemptive arc and that is pretending to be someone she’s not. Being Earth 1 L*urel L*ance protected Bl*ck S*ren from all the damage she caused on Earth 2. If she really wants a shot at redemption then she has to go back to the place where everyone knows her as Bl*ck S*ren. Earth 2 is where L*urel will be forced to confront everything she’s done and accept responsibility for it. There’s no hiding, running or easy outs on Earth 2. That is the place where an honest redemptive arc can begin.
Felicity understands and gives her a parting gift – E1 L*urel’s Bl*ck C*nary suit.
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Source:  nyssaalghl
It’s a beautiful full circle moment. I don’t make the rules! Felicity anoints the superheroes, assigns the names and hands out the couture! If she says L*urel should be Bl*ck C*nary on Earth 2 then L*urel is going to be Bl*ck C*nary on Earth 2. Fine with me!
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L*urel meets Sara once more at Quentin’s grave. Her story always comes back to Sara no matter what version of L*urel it is. Felicity was the push, but Sara’s words lit the spark. She launched L*urel L*ance’s hero’s journey once again. Cuz see the light?!!!!
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Source: canarygifs
This scene also feels like a goodbye to the Lance family. Quentin is gone, L*urel is dead, Sara is off hero-ing through time, and Bl*ck S*ren is returning to Earth 2. This isn’t the end of L*urel’s redemptive journey. It’s the beginning. But it is the first time I believe she might deserve it someday.
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Source:  nyssaalghl 
FLASH FORWARD TIME!
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Dinah created the Canary Network to be a support system for women, so someone always had their back. It’s a reminder to Dinah of what she failed to give Bl*ck S*ren once. It’s a whole conglomerate of leather clad ladies supporting ladies! LOOOOOOVE IT!
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There is no singular Bl*ck C*nary. No one woman holds the title. It fulfills L*urel L*ance’s dying wish in a way she couldn’t even imagine at the time, which is why it is so fitting.
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Unfortunately, Galaxy One massacres the network in “Lost Canary” and Dinah loses fifteen of her girls. It’s a devastating loss for Dinah, but I couldn’t help but cackle a little. Arrow never misses an opportunity to throw a little petty at the LL fandom. Oh you’re made we killed once Bl*ck C*nary? Watch us kill fifteen! How do you like them apples?!
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Dinah, Felicity and Zoe want to lay low and regroup after such a big hit, but Mia is fired up and ready for pay back. 
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Source: amunetblack 
Dinah tries to convince her to wait for the surviving canaries to fight back when the time is right, but Mia defiantly says...
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Source: amunetblack 
It’s like they tailor made her for us fandom. Mia Smoak is perfection on every level. 
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Dinah calls in some back up to keep an eye on Mia.
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L*urel.
She saves Mia from some Galaxy One goons. Unfortunately, the horror show of a wig is back, but let us pray there are less buckles on the suit. The lipstick has changed from black to red so serious upgrade in that department.
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Source: dcmultiverse
It’s a beautifully symbolic moment because L*urel saves Mia in an alley where a body of a dead canary is lying. It’s the same kind of alley where Sara fell to her death and launched L*urel’s Bl*ck C*nary journey. 
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It’s the same kind of alley where L*urel’s journey was foreshadowed in the pilot,
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but with a significant change. L*urel is no longer connected to the man in the story, but to the women.  Sara, L*urel, Felicity, Dinah, Bl*ck S*ren, Zoe and Mia all weave together in one beautiful thread. Bl*ck C*nary no longer belongs to one woman. It belongs to all of them.
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The beauty of this is I don’t have to sit through another half baked Bl*ck C*nary storyline for L*urel. I trust she’s earned the suit on E2. Even better she’s still Bl*ck S*ren. This isn’t 2.0 of E1 L*urel L*nce. Hopefully, all the snarky wit, aptitude for zingers and glowering that made me fall in love with BS remains. I just needed her to stop murdering people. That’s all. All of this means I might finally have a version of L*urel L*nce that I can enjoy.
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L*urel gives Mia some wisdom that screams THERE IS GOING TO BE A SPIN OFF, 
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but what I loved most is L*urel is still trying every day to prove she is a hero. 
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Redemption is a journey and not a destination. And undeserved forgiveness is often the beginning of that journey. Nobody knows that better than L*urel L*ance.
Stray Thoughts
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#Fact. Source:  felicitysmoakgifs
Bl*ck S*ren pretending to be L*urel acts somewhat normal. She ratchets up the cheese factor when she's Bl*ck S*ren. I forgot about that.
Emily is having an A+ hair season. Really it's like a Vidal Sassoon commercial every week.
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This made me emotional. Source:  olicitygifs
"Let's just call her a genius and leave it at that." Hubby is so proud of bae.
Bl*ck S*ren versus White Canary is like a heavy weight boxer fighting a chipmunk.
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Felicity and Sara flirting is everything I didn’t know I need. The love triangle was centered on the wrong person in Season 2. It should have been Felicity and not Oliver. Source:  ebett
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Yup. We all knew. Source:   felicitysmoakgifs
“Felicity Smoak is killing people now." Sara is my spirit animal.
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Sara has seniority Dinah. It should've been you sitting it out. Respect your elder. Source:  canarygifs
The great evil of this episode is the grommet sweater. We must protect the actresses from this atrocity because it's spreading. 
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This  was cute. Source: hollandrooden
Sara has a baby on Earth 2? I NEED THE NAME. WHERE ARE PICTURES?
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Don’t tell me L*urel is not in love with Felicity. I know my truth.  Source: hollandrooden
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Spit my drink out when Sara said this because it’s ridiculous. That said, Arrow continually painting Laurel as a saint is a constant reminder they are never bringing her back. the more Arrow paints Laurel as saint. Source:  danverskara
Was it snowing in the future? What was up with the weather?
Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me. 7x18 gifs credited.
The *** in names is so the review doesn’t show up in the tag.
If you’d like to support the blog, please buy me a cup of tea!
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tommyparkerr · 6 years ago
Text
Jet Lag | Tom Holland x Reader
This was just a little something I wrote when I got home from Europe. You can probably guess what this is going to be about and how it correlated to the whole Europe thing from the title, but oh well! Hope you enjoy!
Words: 3.0k
Warnings: Fluff. Lots and lots of fluff.
-Masterlist-
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J E T  L A G:
You had everything planned out. And so far everything was on track and running on schedule; even your flights didn’t have any delays, which was unusual. Everything was perfect.
Too perfect.
You should’ve known it was too good to last, especially with your luck. Because the one thing you hadn’t taken into account was what the jet lag would do to you atop your exhaustion from finals week. You should’ve known you’d crash at one point, and since you’d never been able to sleep on planes, well...you had to sleep somewhere.
You had a surprise for Tom. He’d been away filming for a couple months now and considering that the crew was set up in Europe this time, you hadn’t been able to see each other. You did have a degree to acquire after all, so skipping classes, study sessions, and tests was not an option.
You called each other almost everyday, only a couple times forgetting about the time difference and calling when it was three o’clock in the morning the other’s time. Not that either of you minded once you knew who it was, but it still made you feel guilty.
Luckily for you, Harrison, Jacob, and Zendaya were with Tom. You had mentioned your plan to visit Tom on his birthday to Haz once and all of them immediately volunteered to help. It would go as so: Z would buy your plane ticket (she refused it any other way), you’d fly in at around eight o’clock am their time, Harrison would be waiting to pick you up, he would get you into Tom’s temporary apartment where you’d hide until he got done working (which would conveniently be soon after you were situated), and Jacob would be the messenger.
Tom had no idea that any of this was going on. To his knowledge, he had to work part of the day on his birthday even though the crew felt bad about it and his friends were going to explore the city during takes. He didn’t mind, really. Besides, he would be done early enough that he’d still have most of the day to himself. At least, this was what Harrison had relayed to you. But just in case he suspected anything, you decided to call him before you boarded your plane where you’d be faced with a ten hour flight into the next day. The day.
“Y/N!” Tom exclaimed happily as he picked up the phone.
“Hey, Tommy,” you said with smile. “Have they worked you too hard yet?”
You could feel his shrug through the phone. “I’m not sure if I know the term.”
You had to laugh at that. “I’m pretty sure that running on only four hours of sleep five days in a row is the exact definition.”
“How’d you figure that out?” he asked sheepishly. You closed your eyes, getting antsy at the sound of his voice; you’d waited so long to see him that now that you were this close it couldn’t get here fast enough.
“Harrison, of course,” you answered. “How else would I keep constant tabs on you?”
Tom chuckled, letting out a yawn. “Sleep will be nice when I get my few days off, and I’ve only got one more day before that time comes.”
“Slacker,” you teased. Tom was the opposite of a slacker—that was common sense to anyone who’d paid even the slightest attention to his name—which was why you often played around with the word when teasing him.
“Yeah, yeah,” he said dismissively, but you could sense the smile in his voice. “How’d finals go, darling? I know you studied for forever so you better have aced them.”
You rolled your eyes. “You’re only bitter because I’ve been busy studying during our calls. But, just so you know, I did ace them. Well, not like ace ace them—I’m pretty sure that’s impossible—but ace them as in a solid A or B.”
“Good job, love! I’m proud of you,” Tom said admiringly. “Even though sometimes I wanted to reach through the phone and rip those books away, I’m proud of you.”
You flushed and bit your lip to contain the wide grin threatening to overtake your face. “Thank you. I know I say that a lot, but I really do appreciate it.” You paused for a second, wondering if it’d be too obvious if you brought up his birthday now. “So, Tommy, do you feel twenty-two yet?”
“I don’t even feel twenty,” he laughed. You smiled at the sound.
“Well that’s slightly problematic,” you said, “considering you turn the big two-two tomorrow. Speaking of, do you have any plans to celebrate in a way other than sleeping?”
“Damn,” he said, faking guilt. “You caught me.”
“Really, though,” you insisted, needing to know just how much he knew. Hopefully none, as you’d been led to believe. “Any plans with anyone?”
Tom sighed. “I think Haz and Jacob want to go to a pub later tomorrow and I know for sure Z wants the four of us to hang out, but it just doesn’t feel right.”
“Why not?” You frowned, worried he may be hinting to some hidden crack in his friendships that he hadn’t mentioned before.
“Because of the obvious,” he said, pouting. “You won’t be there with us. With me.”
Despite the blatant sorrow coming from Tom, a small smile graced your lips. So he didn’t know.
“I know,” you sighed, trying your best to sound disappointed. “I wish I could be there, Tom, I really do. But with finals and the cost of the plane ticket and everything-“
Tom was quick to reassure you. “It’s not your fault you can’t be here, darling. We’re both busy people. This was bound to happen at some point. But we can always celebrate later, yeah?”
He really didn’t have a clue. Sure, Tom was an amazing actor, but even he couldn’t be that good.
You discreetly giggled into your shirtsleeve. “Yeah, okay. We’ll celebrate as soon as you get back then?”
“As soon as I get back,” Tom promised.
You looked up just in time to see the gate begin to open up and you knew you had to hang up before they announced the boarding call.
“Hey, Tom, I’m really sorry but-“
“You have to go, don't you?” he sighed. “It’s okay, love. I should probably get some sleep anyways considering I have to be up in two hours.”
“Only two hours, Tom?” you said concerned. “You need to get more sleep than that.”
“I’ll be fine, Y/N,” he laughed. “You get some sleep too, okay? It’s...what, ten o’clock over there?”
“Exactly ten,” you confirmed, standing up and lugging your carry-on into the line. “I love you, Tom. Go to sleep, okay?”
“I’ll get some sleep, don’t you worry,” Tom chuckled. “Love you too, darling. Sweet dreams.”
“You too.”
And so with a giant smile plastered onto your face and adrenaline running high, you boarded your plane.
XxX
The lines were long. Extremely long. Boring, smelly, hot, and long.
You hadn’t slept a wink on the plane and losing an entire night of sleep was starting to catch up with you. You landed at eight o’clock almost exactly, only a few minutes late. You’d texted Harrison and Jacob to let them know you landed and also texted Zendaya to thank her for the (unexpected) first class seating, but it hadn’t quite hit you yet that you were in a different country—a country that Tom happened to be in, too.
When you finally got to the front of the line of customs, you could barely stand due to the heaviness dripping through your veins. The adrenaline had vanished about halfway through the line and exhaustion replaced it, weighing you down with every step you took. They asked you a few questions, studied your passport for a bit, typed something into their computer. All in all it probably only took ten minutes, but it had felt like an hour.
Your small suitcase and purse like dead weight beside you, you were suddenly really glad you decided not to bring that extra bag you’d thought about packing. It was so much easier—and lighter—this way.
It was a little past nine o’clock by the time you were through the airport, and you breathed a sigh of relief when you saw Harrison waiting for you. “Hey Haz,” you greeted with a smile. He grinned and grabbed your things from you before wrapping you in a hug.
“You have no idea how good it is to see you, Y/N,” Haz muttered. “Tom’s been constantly whining about missing you; it’s getting quite annoying.”
“So that’s why you all offered to help! Because you wanted to get rid of Tom.” You gasped dramatically as you walked. “You’re using me!”
He shrugged, his grin changing into a small smirk. “I mean…”
“You’re such a brat!” you exclaimed, punching his arm. You were starting to wake up again—something you were very thankful for. You swore you would have fallen asleep had you gotten a taxi, as not having anyone to talk to really didn’t help with the whole ‘I’m so tired I could drop’ thing.
Harrison chuckled, bringing you into another one-armed hug. “I guess your boyfriend is rubbing off on me. It really is good to see you, though, Y/N/N.”
“Good to see you too, Haz,” you smiled.
You kept conversation throughout the trip to Tom’s apartment, the only pause being the call from Harrison to Jacob telling him that he had you and to pass the message on.
“I’m surprised you packed so light,” Harrison praised you as he walked up the few flights of stairs with your suitcase. You’d taken claim to your purse, conscious enough to at least carry that.
“I almost didn’t,” you admitted. “But I’m really glad I did now.”
“Why now? I’m the one who’s carrying it,” Haz pointed out, gesturing to the bag in his hand.
You laughed and answered, “Well, I may need your help again someday and I really don’t want you to refuse just because of one bad experience.”
“Smart girl,” he teased, stopping at the correct floor and swiping a card. The key flashed green and he opened the door, rolling your luggage inside.
“He gets an entire floor to himself?” You said in awe, setting your purse on the ground.
“Marvel isn’t exactly broke, you know,” Harrison jabbed.
You rolled your eyes. “Well, excuse me for having one moment of awe.”
Haz grinned, hiding your suitcase in the bedroom and gesturing for you to put your purse there too. “We better start setting up, huh?”
“Right,” you said, slipping off your shoes and placing them next your small pile of belongings. You clapped your hands together a few times before grabbing the second bag Haz was carrying and opening it up to find the cake you’d gotten on the way here, twenty-two candles, and a lighter. Nothing big, nothing grand. Just something small for you and Tom to celebrate with.
You and Haz quickly set the cake out on the counter with the candles inserted and the lighter beside it, pulled out your birthday card for Tom and placed it alongside the other items, and put your gift on top.
“Tom’s done for the day,” Haz relayed as he read off his phone. “He’ll be here in about thirty minutes.”
“Great!” you said with a smile. “Thank you so much, Haz.”
“No, thank you for taking Tom off our hands,” Harrison grinned.
You playfully shoved him toward the door. “Get out of here before he sees you and you won’t have a problem.”
He held his hands up in surrender as he walked backwards out the door. “Have fun, Y/N/N! Feel free not to bother me!”
“Goodbye, Haz,” you laughed as you shut the door. You walked back to the bedroom to start putting your stuff in an empty drawer you’d spotted earlier and finished quickly, stuffing your now empty suitcase into the closet and grabbing a book out of your purse to read while you waited. Feeling a bit nostalgic, you slipped one of Tom’s sweatshirts on and let your hair out of your braid, the soft waves tickling your neck; you knew Tom liked your hair best when it was down. You launched yourself onto the bed, sighing when you felt the soft mattress swallow you in its comfort.
Little did you know that mattress and book would be your ultimate downfall.
XxX
God, Tom was tired. He’d assured you he would be fine with only two hours of sleep, but he was so sluggish today he knew that was a lie. An unintentional one, but still a lie. He suspected that everyone else knew it too, as filming today was cut off quite abruptly. It almost seemed like they were filming just to kill time, as there were only a few takes and none of them felt that serious, which didn’t make sense because you never just ‘killed time’ during the making of a movie. But Tom didn’t think too hard on it. He was afraid if he did his head would start hurting and then he’d be left with a migraine to accompany his tired legs and heavy limbs.
He trudged up the stairs to his flat, fumbling with his wallet for a moment while he grabbed the key. He unlocked it quickly and stepped inside, taking off his shoes and jacket and walking over to the counter to empty his pockets out on.
But the counter was already cluttered.
Tom smiled as he saw the cake and unlit candles, the birthday card and small wrapped gift. He moved to pick up the card first, reading it and opening it to find that it was from you. He pulled out his phone and texted Harrison with a smirk, now knowing what his friend was out doing while ‘running errands’.
Just running a few errands, eh?
Tom waited for his response and laughed when he got the almost immediate reply.
I had no choice in which ‘errands’ to run. Your girlfriend would have killed me if I’d chosen groceries over her.
He decided to let the conversation be and dialed your number, wanting to talk to you before he inevitably crashed. But something took him by surprise when it started to ring:
He could hear your ringtone.
Tom furrowed his brows and crept towards the sound, stopping in front of his bedroom door and slowly pushing it open. His stomach did a flip and his heart stuttered at the shocking sight, his phone wobbling and in danger of falling out of his hand.
There you laid on his bed, a book falling out of your hand and landing on the sweatshirt you borrowed from him. There you were, in his room, after not seeing you for two months’ time and counting down the days until he could. And, he saw with a small grin, you were asleep.
Tom spied your phone on the bed beside you and declined his own call to prevent anymore rings. As much as he wanted to see your beautiful eyes and hear your voice without a phone muffling the sound of it, he knew you were exhausted from school and work and didn’t want to wake you up. Whereas Tom at least got two hours of sleep in the past twenty-four hours, he doubted you slept at all.
Carefully he took the book and placed it on the night table, making sure to mark the page you were on with the Spider-Man bookmark he’d given you a few months back. He slipped his arms around you and lifted you just enough to get the covers out from underneath.
After turning the lights off, stripping himself of his shirt, and taking your socks off (since he knew you absolutely hated sleeping with them on), Tom crawled into bed beside you. The dip of the mattress along with the flood of extra warmth was enough to pull you from sleep, and your eyes slowly blinked open. It took a minute to recognize the arms around you and the chest you were pressed up against, but once you did you groaned.
“Love?” Tom whispered, testing the waters.
“No,” you whined, your mind still murky. “I wasn’t supposed to fall asleep.”
He laughed and curiously asked, “What were you supposed to do?”
“Surprise you,” you mumbled, snuggling closer to him.
He kissed your head, slipping his fingers under your shirt to touch the warm skin beneath. “Trust me darling, I was surprised.”
You sleepily traced your fingers up his front and smiled as you felt him shiver. It was comforting to know that even after two years you still affected Tom like that. You rested your hand over his heart, letting the familiar, steady thumping assure you of his presence. Tom was here—you were here. You were in the same city, the same home, the same room, the same bed.
“Tom?” you whispered.
Tom opened his eyes and blinked a few times, his eyes slowly coming into focus. “Yeah?” he eventually said in the low sleep-ridden voice you loved.
You pressed on the mattress as you lifted yourself up to kiss him. You both smiled into it; it had been too long. “Happy birthday,” you murmured, brushing a troublesome curl from his forehead. Tom grinned and tightened his hold on you, rolling onto his back and causing you to sprawl on top of him. You giggled and kissed the corner of his mouth before settling back down. “I love you, you dork.”
He buried his face in your hair and pressed a kiss to your jaw. “I love you too, sweetheart.”
And with your head on Tom’s shoulder and his lips just barely brushing your temple, you both fell asleep faster than you had in months.
XxX
Permanent Tag: @lemirabitur @my-meant-to-find-blog @jongindeepbreath @tomspideyweb @farfromjustordinary @tomsstarlight @delicately-written​
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everyonesawhoregrace · 6 years ago
Text
Not Yet (Thomas Shelby Imagine)
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In the wake of the newest book that landed in your hands, thanks to Ada, you indulge every evening in the thick novel. It surrounds the idea of mother and fatherhood, unity, and the idea of parenthood.
Thomas and you were nervous beyond belief, both of you coming from families who weren’t particularly the best.
You lay in bed, belly full as Thomas rests his head on the side of your stomach. You read in your head, as Thomas attempts to communicate with your unborn child.
You had just finished explaining to him that talking to the baby will promote, tranquility and calmness between the baby and father.
The book stated that if the father and mother talk to the baby enough, you two sound be able to hear the baby say something back. It was a psychological thing, one that Tommy rolled his eyes at. But he knew it meant the world to you, so he played along. Needless to say you were big on spirituality and energy.
“I promise I’ll take care of you.” He vows, his voice a low hum. “Even when you piss uz off, ‘ey? I’ll still take care of yous.” He looks up at you, your heart nearly skips a beat. “But I swear, little one, if you piss off your mum, I’ll cut ya-“
And just like that, the precious moment is ripped from your grasp. “Thomas-“
“I will.” He promises, kissing your belly.
“The baby needs good energy, not threats”
Thomas doesn’t bat an eye. “He’s warm and happy inside you. He’s good; trust me, I know the feeling.”
You press your lips together, cocking an eyebrow at your annoying ridiculous and emotionally deranged husband. “The baby needs his father to be nice.”
Thomas looks down at your bare belly, “Is that what he tells you?” He asks, moving his gaze back up to you. “Well tell him he came too early.”
You roll your eyes. The news of you being pregnant didn’t come with the good energy you read about, but rather that. Thomas lost his mind, in sadness that you had fallen pregnant not even after a year of being married. He wanted to spend some more time with you, and you agreed, but a baby was a blessing. Not a curse.
It took much time for Thomas to adjust. And once he did, you had been notified about his fears. Thomas was traumatized by his fathers behaviour, and had this odd idea that someday, somehow, he would morph into the monster that was Arthur Shelby Sr.
It hurt you to hear him explain to you that he’ll be an awful dad. Pained you to know that he is fearful of taking the title of this baby’s dad.
You chew on your bottom lip, unsure of what to say to help him. But anything you say calmed down Tommy, so, running a hand through his silky brown hair do you sigh.
“I was reading about the birth of the baby,”
He rests his head on your belly again. His ear on the side of your stomach as he stares up at you. He’s trying to get to know the baby, understanding that your hormonal and cherish this book with all of your heart. He’s trying, just for you.
“And what did it say?” He whispers, studying you and your beauty.
Your glowing, which is something Thomas will always cherish about the baby. He’s given you a radiant glow. One that makes Thomas crave you at all times. He’s always felt such a way about you, but even as he lays his head on your stomach, with bits of cookie crumbs on your neck and collarbone, do you look undeniably sexy.
You reach for your book. “It basically says,” you begin, and squint your eyes, flipping through the pages. “Ah, here.” You stop and narrow your gaze. “Skin to skin between mother, and father and baby is extremely important.”
“I’ll hold ‘im.” Thomas retorts. “I’ll hold him all the time, y/n.”
“No.” You pout. “Not like just holding him, that’s easy. No, this means skin to skin the moment the baby-“ you flush. “Exits me?”
Without thinking, Thomas laughs, sitting up and shaking his head. “I’ll be at Garrison celebrating-“
“No, you’ll be by my side.” You tell him, instructingly. “The first few hours of the babies birth is most important, Tom.”
“Are you mad?” His face twists. “I love you, so much. But I will not be in the delivery room, with you.”
Going back to the book, you point at a random line. “Missing your sons birth will be detrimental to his health and well being!”
“For fuck sakes!” He yells, running a hand over his face. “I saw a bit of my neighbour Margret’s birth when I was a kid, y/n. The blood, the fucking blood!” Thomas already feels queasy. He swallows hard. “I can’t-“
You sniffle right before your eyes well up. The thought of him missing your birth makes you get extremely emotional. It’s something you never expected to feel, after all, you’re a strong independent woman. You learned after years of not having friends or proper family, to hold in your emotions, and never come off as weak or vulnerable. But bloody hell, the son you carry holds all of your emotions in a basket filled with holes. You’re a pregnant ball of emotions.
Even the slightest things trigger you: dead animals you’ve been fed for dinner. The thought of your childhood. Thomas leaving you for work. The little booties Aunt Pol bought for the baby had you belting cries all night long. And the worst of them all, music. You can cry and cry and cry to the sound of music. Or laugh the night away. It really just depends on your crooked moods.
“Fuckin’ hell-“ Thomas moans, wrapping his arms around you. He’s going to kill Ada for bringing you this book.
“I just-“ Yo gasp, in full hysterics. “I know-The boy-Isn’t. I know you’re not happy about us-“ You continue to gasp for air. “I know you don’t want the-Baby but, Thomas-“ Again you gasp, latching onto him. “I know, you’re scared. I-I’m scared too!”
“Shhhhhhh.” Thomas squeezes his eyes shut, wishing you’d just calm down. But the last time he asked to calm down, you threw a frying pan at his head, luckily he ducked. “I’m sorry, love.” He whispers before kissing the side of your neck. “I’m insensitive at times.”
Thomas takes a line from right out of Arthur and John’s handbook of getting out of sticky situations with the wife.
He kisses the side of your neck again before pulling back to wipe away your damp face. “Don’t cry love. I’ll be there-“
You’re still catching your breath. “You-“ Gasp. “-Will?”
“Yea, I mean. Yes. O-of course I will.” He kisses your tears away. “I’ll be there. Whatever it takes, I’ll make sure I’m here for the delivery of our boy.” He presses his hand over your belly and smiles sweetly at you.
“Promise?” You breathe.
He nods. “I promise.”
2 Weeks Later
You’re in the kitchen, preparing dinner for you Tommy, singing softly as the baby does summersaults in your tummy. You feel a pain unlike any other before water trickles down your legs. Inhaling sharply, you look down at the little puddle of water before blinking rapidly.
“Holy hell.” You whisper, before looking around frantically. You turn off the stove and swallow. A maid, a maid, yes, you need a maid. So, waddling from the kitchen to the common room with your slightly wet clothes do you grab the attention of a maid.
“Oh!” She gasps, twisting her face at you. “You didn’t pee yourself, did you, Mrs. Shelby?”
“No, Mary,” A question you’d normally get offended by seems to overjoy you. This pregnancy has been quite eventful, even giggles make you piss yourself. The baby sits on your bladder so you really have no choice. But you didn’t even laugh, so this must be your water breaking.
It was a wave of pain that made you groan loudly, you clutches the bottom of your belly feeling a hymn of pressure. Squeezing your eyes shut, do you feel yourself begin to push. Your body naturally reacts, an it tells you the baby wants out. Now.
Your eyes sprawl open. “Thomas!” You cry, “He isn’t here! No, no, no, no, no, no!”
Of course, he had to go away on some Peaky business to London. Said he’d be back to tonight, but it’s only half past four, which means there are hours between now and then.
Looking at your belly, do you see a deep red fluid now running down your inner thighs. Oh God. “No, no,” You whisper to the baby. “No yet little one.” Another wave comes your and brace yourself.
It was all unexpected. You were a week early, and tommy and you agreed that he’d take the week of your due date off. This was not the fucking plan!
“I think the baby wants to come out-“ The maid is quick to your aid, clutching you by your arms and pulling you to the couches. You wanted to delivery on your bed, but your knees buckle and the thought of climbing up the stairs make you feel faint. The other maids make their way to you, and everyone gets ready for your delivery.
“Thomas-“ You whisper, Polly and Ada had found their way into your home.
Polly grabs your hand, as Ada continues to wet the top of your head with a damp cloth. “He’ll be here, anytime love. Focus on the baby, he’s on his way-“
“Fuck-“ you roll your eyes back, looking at the females who pry open your legs, ready to get the baby out once you push. You turn your head to the only Shelby sister. The woman who has allowed you into the family home, like a sister. “Ada-“
“You’ll be fine, the baby’s in good health.”
“Where’s Thomas?”
“Love,” the midwife says to you. “The baby’s head is nearly out, you’ll have to push.”
“No.” You stir, staring at Ada. “I’m so scared.”
“Don’t be scared!” She cries, kissing your forehead. “Don’t be scared.”
“What if I’m a horrible mum?” You ask. “What if the baby-“
“Shhhhhh. You won’t be-“
“Love,” the midwife says right before you reach another contraction.
Letting out a cry, you squeeze Polly’s hand and push through the contraction, breathing through the pain. You feel your head begin to get clouded. Your eyes water as you silently pray that the baby will you love and your flaws.
“Y/N?!” His voice booms into your ears, his shoes hit the hardwood floor as he approaches you the scene that is in the living room. “Oh, Christ.”
Thomas enters the room to see you sprawled out. Bloodied and nearly naked. He feels like he’ll be sick, but as his eyes trickle up does he see you in your beauty and entirety. His eyes instantly well up, as Polly moves to the side and Thomas takes your hand.
“I made it.” He kisses your cheek, forehead, eyelids, lips. “I made it.”
“You made it.” You whisper back. “I feel so scared, Thomas....”
He hushes you by pressing his lips against yours. Thomas rubs his nose against yours.
“I heard him too, last night before I left.” Thomas’s blue eyes study yours. “He said you’ll be the best mother and that he can’t wait to see you.”
You sniffle, staring at him.
“Love, it’s time to push-“ the midwife is soft.
“Alright, you hear that, y/n, time to get the little one out.” Thomas whispers in your ear. “Be brave.”
And you push. And push. And push.
When the baby comes, you feel so faint and exhausted. Thomas is overjoyed, to the moon with happiness. He takes off his shirt and the baby is put on his chest, the cries stop almost instantly. Your eyes roll back, you can feel your heart slowing. You did it. You had your baby.
“Look love,” Thomas whispers, a tear rolls down his cheek. “He’s so beautiful. Just like you.”
You feel your lips tilt up in a smile. Seeing Thomas holding his son, with such a stunning smile on his face makes your heart swell up. He looks absolutely beautiful. A man with so much integrity and power holds his son with so much care. It’s a sight you don’t want to let go of.
“The baby’s hungry,” The midwife says, cautiously looking at Thomas. Everyone’s always been afraid of him.
Everyone except you.
His eyes, that are the colour of the ocean well up, Thomas is in an infatuation with his first son. He nods, mentally telling himself to give the boy over to his mum.
“You ready?” Thomas asks, another tear falling from his eye.
“Mmmhmm. Give him here,” You murmur, and again, the second the baby is taken off Tommy’s chest he cries again. Only to stop once he’s on your chest. The midwife positions the baby on your nipple and he begins to suck. They all watch in awe, and Thomas steals a kiss from you.
“You did it.” He says, kissing you again. “I love you so much.”
🤧☹️😢😭😱🤭😢🙁😫 I’m not sobbing at all. You’re sobbing.
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